Posts mit dem Label Evelyn Taocheng Wang werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Evelyn Taocheng Wang werden angezeigt. Alle Posts anzeigen

Dienstag, 10. Dezember 2019

Jahresgaben Kunstverein für die Rheinlande und Westfalen

JAHRESGABEN 2019






mit LEDA BOURGOGNE, CYTTER/ ROEBAS, ROCHELLE FEINSTEIN, DOROTA GAWĘDA UND EGLĖ KULBOKAITĖ, NICHOLAS GRAFIA, PHILIPP GUFLER, KARL HOLMQVIST, ARI BENJAMIN MEYERS, PUPPIES PUPPIES (JADE KURIKI OLIVO), EILEEN QUINLAN, AGNES SCHERER, THOMAS SPALLEK, EVELYN TAOCHENG WANG, LENA WILLIKENS & SARAH SZCZESNY



December 14, 2019 – January 5, 2020
Opening: Friday, December 13, 2019, 7.30 pm


Grabbeplatz 4
40213 Düsseldorf

Foto: Katja Illner

Samstag, 18. Mai 2019

Pleasure-Pain at Marwan, Amsterdam


Pleasure-Pain
Marwan is delighted to invite you to the opening of Pleasure-Pain by Philipp Gufler on Friday, May 31st, 2019. Central to Gufler's first Amsterdam solo exhibition is his new video installation The Responsive Body, starring Diogo da Cruz, Johanna Gonschorek, Richard John Jones, Evelyn Taocheng Wang, and Louwrien Wijers.

On Marwan's website, you can now find the text "The Responsive Body – somatic hacking and artistic friendships" by art historian and educator Arnisa Zeqo, which is accompanying the exhibition.

"Pleasure-Pain" is on view till June 23. Marwan is open on Saturdays and Sundays from 2 pm to 5 pm and by appointment.

On Thursday, June 6, at 8 pm, two performances by Johanna Gonschorek and Diogo Da Cruz will take place at Marwan as part of the exhibition.

The exhibition Pleasure-Pain is made possible with the generous support of the Amsterdams Fonds voor de Kunst. The production of the video installation The Responsive Body is kindly supported by the Erwin und Gisela von Steiner Stiftung and Stichting Stokroos.





Marwan
Fokke Simonszstraat 12, Amsterdam, 1017 TG Netherlands
https://marwan.hotglue.me

Marwan is an artist-run project space at Fokke Simonszstraat 12, Amsterdam, initiated and curated by Tirza Kater and Tim Mathijsen and currently operating autonomously under the generous wings of AKINCI







Fotos: Franziska Schulz