tag:blogger.com,1999:blog-5740744090895060472024-03-13T14:12:57.500-07:00Philipp GuflerPhilippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.comBlogger188125tag:blogger.com,1999:blog-574074409089506047.post-70884533582559428992024-02-21T16:30:00.000-08:002024-02-22T12:51:45.810-08:00Dis/Identfication at Kunsthalle Mainz<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm66jN0xs3aq7KmNE_l8UIOn_an9sV7-9_iNvdXbEyG6CUSrVRSMf6HdpDWQ20xiHRKCZGBr3hmPuS3OKQG95_TkuJy72f3PSqDHDCo1sbGyvYfCaV7x6DAP35xVAEOWpzPZuNBiK8lPnrMUUTBd0Jw0xnB23a0VDr5pM7r8NAsZKG3PAsTbqZwcqP2ui8/s2387/Screenshot%202023-10-08%20at%2015.18%20Kopie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1788" data-original-width="2387" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm66jN0xs3aq7KmNE_l8UIOn_an9sV7-9_iNvdXbEyG6CUSrVRSMf6HdpDWQ20xiHRKCZGBr3hmPuS3OKQG95_TkuJy72f3PSqDHDCo1sbGyvYfCaV7x6DAP35xVAEOWpzPZuNBiK8lPnrMUUTBd0Jw0xnB23a0VDr5pM7r8NAsZKG3PAsTbqZwcqP2ui8/w400-h300/Screenshot%202023-10-08%20at%2015.18%20Kopie.jpg" width="400" /></a></div><br /><p></p><h2 style="text-align: left;">DIS/IDENTIFICATION</h2><p>8th of March – 16th of June 2024</p><p><br /></p><p><b>Opening<br /></b>Thursday, 7th of March 2024, 19:00</p><p><br /></p><p>Curated by Yasmin Afschar</p><p><br /></p><p>Images and (hi)stories of queer life both today and in the past are at the heart of Philipp Gufler’s artistic oeuvre. Key persons in history, developments and incisive events from different periods all enter into dialog and tell an intersectional queer story. Gufler comes across his source material in historical archives, newspapers, radio and TV, and his reference points originate in literature and the aesthetic practices of the LGBTQIA+ movements, in queer theory, and in Pop culture. Gufler reflects on these in film essays, but also in performances and pictorial objects, in paintings on mirrors or silkscreened fabrics (the quilts as he calls them today feature 53 different textiles and are dedicated to queer people, movements, and places).</p><p>In his largest solo exhibition to date, starting with a new video installation entitled The Beginning of Identification, and its End. Gufler offers a survey of his creative output of recent years. It does not just tell us the “hi/stories of heroes”. Gufler's approach always leaves scope for the dark sides and the controversies. The focus is on identification but also on “disidentification” and thus on the limits of queer categories of identification. </p><p>The exhibition will be accompanied by Philipp Gufler’s first monograph, including texts by Karolina Kühn, Louwrien Wijers and Yasmin Afschar. </p><p><br /></p><p><a href="https://www.kunsthalle-mainz.de/en/" target="_blank"><b>Kunsthalle Mainz</b><br /></a>Am Zollhafen 3–5<br />55118 Mainz</p><p>Opening times<br />Tuesday, Thursday, Friday 10 am–6 pm<br />Wednesday 10 am–9 pm<br />Saturday, Sunday 11 am–6 pm</p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-4391035798184142162024-02-20T04:01:00.000-08:002024-02-22T04:05:25.259-08:00SOFT POWER <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUblD8Jle5321NxXOo4O_VB_Yo45-UGlHzYsO0plRG3wA-FimXXvmmRj5IwG6EvVws2GlabJAqfOdAnARhV5hdPU8NpergGjY0WjKETLtVoPeiSInBlh2Y1wpz2jr_bmZAz2s26XLoXQZ8n8_Re7JuotSZWstbPznIpKKyDitsB1wKva6sUM5XBY0H5_iP/s3000/2023_Quilt%2352CharlotteCharlaque_PhilippGufler_FranzMS_D8A5329_LowRes.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2000" data-original-width="3000" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUblD8Jle5321NxXOo4O_VB_Yo45-UGlHzYsO0plRG3wA-FimXXvmmRj5IwG6EvVws2GlabJAqfOdAnARhV5hdPU8NpergGjY0WjKETLtVoPeiSInBlh2Y1wpz2jr_bmZAz2s26XLoXQZ8n8_Re7JuotSZWstbPznIpKKyDitsB1wKva6sUM5XBY0H5_iP/w400-h266/2023_Quilt%2352CharlotteCharlaque_PhilippGufler_FranzMS_D8A5329_LowRes.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Quilt #52 (Charlotte Charlaque), 2023</td></tr></tbody></table><br /><h1 style="text-align: left;">SOFT POWER</h1><h3 style="text-align: left;">16.3. – 11.8.2024</h3><p>This spring, DAS MINSK Kunsthaus in Potsdam will present the group exhibition Soft Power, which positions textile design as an artistic means of expression that can be employed to question power relations. The exhibition addresses various aspects of textile art in three chapters.</p><p><br /></p><p>The chapter “Invisible Hands” focuses on the production conditions of textiles and their raw materials, including the history of the Leipzig-Lindenau cotton mill and VEB Vowetex in Plauen, among other examples. “Disrupting Patterns” is the title of the second chapter. Textile patterns are often based on the repetition of graphic structures, which typically originate from long traditions and can convey information about power hierarchies or status. The works presented in this chapter of the exhibition question existing patterns and relationships. The chapter “Ancestral Threads” traces the lines that connect us to the past. Just as individual threads can combine to form fabrics and larger networks, the historical and contemporary works in this chapter refer to past traditions that continue to have an effect today.</p><p> </p><p><i>Soft Power shows works by Magdalena Abakanowicz, Caroline Achaintre, Wilder Alison, Leonor Antunes, Ouassila Arras, Rufina Bazlova, Mariana Chkonia, Toni Ebel, Gee’s Bend Quiltmakers (Ella Mae Irby, Candis Mosely Pettway, Qunnie Pettway), Philipp Gufler, William Kentridge, Maria Lai, Joanna Louca, Rosemary Mayer, Małgorzata Mirga-Tas, Sandra Mujinga, Gulnur Mukazhanova, Ramona Schacht, Gabriele Stötzer, Sung Tieu, Johanna Unzueta, Hamid Zénati, and others.</i></p><p><br /></p><p>The exhibition is curated by Daniel Milnes.</p><p><br /></p><p><a href="https://dasminsk.de/en/exhibitions/4478/soft_power" target="_blank">DAS MINKS</a><br />MAX-PLANCK-STRASSE 17<br />14473 POTSDAM<br />GERMANY</p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-74663931134976049832024-02-19T03:51:00.000-08:002024-02-22T04:05:11.559-08:00COEXIST. Stipendiat:innen 2023 der Artist Residency Schloss Balmoral im Mittelrhein Museum<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVS5-xwUIID_qHUry4DJ0F-MvbcdoP1EaN4Yxz2Stx5E3b1I2K7L5fos3svrmIsnGmHqWCmpq87u66ZNQuhH_mVTkCM1FC0a_sz4776khf_ICgDPa_YN6vnW92R13rPLGeHiVMEbdh1rhst-erAqGLmP7wh69v2r9tvQ1UHLeNtxfYjwsbFuJlAiJ5vGn/s440/timthumb.php.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="290" data-original-width="440" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijVS5-xwUIID_qHUry4DJ0F-MvbcdoP1EaN4Yxz2Stx5E3b1I2K7L5fos3svrmIsnGmHqWCmpq87u66ZNQuhH_mVTkCM1FC0a_sz4776khf_ICgDPa_YN6vnW92R13rPLGeHiVMEbdh1rhst-erAqGLmP7wh69v2r9tvQ1UHLeNtxfYjwsbFuJlAiJ5vGn/w200-h132/timthumb.php.jpeg" width="200" /></a></div><br /><h3 style="text-align: left;"><b>9.3. – 28.4.2024</b></h3><p><b><br /></b></p><p><b>Eröffnung der Ausstellung im Mittelrhein Museum<br /></b>Freitag, 8. März 2024 um 19 Uhr</p><p><br /></p><p><b>Film & Talk mit Philipp Gufler und Katharina Fink</b><br />Dienstag, 9. April 2024 um 18 Uhr<br />Gespräch mit Albert Knoll, 2023, 25 min. <br />Lana Kaiser, 2020, 13 min. </p><p><br /></p><p>Mit dem Jahresthema »Coexist« beleuchtete die Artist Residency Schloss Balmoral gemeinsam mit ihren 16 Stipendiat:innen, wo die Möglichkeiten und Grenzen künstlerischen Handelns verlaufen. Im Fokus standen hierbei sowohl ästhetisch-künstlerische als auch gesellschaftliche Fragestellungen. Vermeintlich feststehende Kategorien wurden ästhetisch hinterfragt und die Zwischenräume zwischen unterschiedlichen Polen, Bestehendem und Neuem, Dominanz und Unterlegenheit, dem Eigenen und dem Anderen, erforscht. Auch, welche Rolle Verletzbarkeit, Dissens und Empathie im künstlerischen Schaffensprozess spielen können. »Coexist« stellt die Zwischenräume in den Fokus der Kunst. Es fragt danach, was eine Gesellschaft zusammenhält und welche Rolle die Kunst dabei spielen kann.</p><p><i>Teilnehmende Künstler:innen: Gin Bahc, Alexandre Bavard, Tobias Becker, Nino Bulling, Johanna Ehmke, Dorothea Gillert-Marien, Nathalia Grotenhuis, Anne-Louise Hoffmann, Alexander Janz, Jungho Jung, leo, Markues, Benja Riegenroth, Marcello Spada, Jonas Weber Herrera, Julia Wenz-Delaminsky</i></p><p><br /></p><p><b><a href="https://www.mittelrhein-museum.de/category/kommende-austellungen/?lang=en" target="_blank">Mittelrhein Museum Koblenz</a><br /></b>Zentralplatz 1<br />56068 Koblenz</p><p>Öffnungszeiten<br />Montag geschlossen,<br />Dienstag bis Sonntag<br />10 Uhr bis 18 Uhr</p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-66096290946901912442023-12-18T06:41:00.000-08:002023-12-18T06:41:21.267-08:00Film screening, Conversation and Music: Projection on the Crisis<p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVnSO_TLNPUO6hDEzyhlLe4CVWVt8HFEJo3XUuF9E4NXQY-fXqDbNeRHZxnN8NJ4U3pwe1KxyIBHh07xOCcZSQ0CejJb9lOUMTY80bCa-U0F2KxQ4qjjPL7yWzUDMnuq958Y9sQlgEtzorKU1C6D0GczjhhwzMSkun-9COcsZyyfYn5sImi9uzzcF6XbUV/s1350/gb23_general_idea_projektion_3_2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1350" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVnSO_TLNPUO6hDEzyhlLe4CVWVt8HFEJo3XUuF9E4NXQY-fXqDbNeRHZxnN8NJ4U3pwe1KxyIBHh07xOCcZSQ0CejJb9lOUMTY80bCa-U0F2KxQ4qjjPL7yWzUDMnuq958Y9sQlgEtzorKU1C6D0GczjhhwzMSkun-9COcsZyyfYn5sImi9uzzcF6XbUV/w400-h266/gb23_general_idea_projektion_3_2.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; font-family: "Helvetica Now", Helvetica, Arial, sans-serif; font-size: 14px; text-align: right;">Courtesy: BQ Gallery, Berlin</span></td></tr></tbody></table><br /><b><br /></b></p><p><b>Film screening, Conversation and Music | General Idea</b></p><h2 style="text-align: left;">Projection on the Crisis</h2><p><i>With Philipp Gufler, Marc Siegel, Susanne Sachsse and Zippora Elders, moderated by Kelly Krugman</i></p><p><br /></p><p><i>Friday, 12.1.2024<br />16:30–19:00</i></p><p><i><a href="https://www.berlinerfestspiele.de/en/bfs-de/gropius-bau/programm/2023/ausstellungen/general-idea/veranstaltungen/projektion-auf-die-krise" target="_blank">Gropius Bau, Cinema (Lower ground floor)</a></i></p><p><i>In German and English<br />Free admission</i></p><p>Philipp Gufler’s video installation Projektion auf die Krise (Gauweilereien in München) takes a kaleidoscopic glance back to the early days of the AIDS crisis in Germany in the 1980s – a time when Munich’s repressive policy against homosexuals reached its peak. The work assembles archival documents such as newspaper articles, advertisements, photos and press reviews from this period. The historical material comes with commentary and analyses by other artists.</p><p>The film screening will be followed by a conversation between Philipp Gufler, Marc Siegel and Zippora Elders as well as music by Susanne Sachsse.</p><p>As a professor for experimental film, Marc Siegel will engage with these topics and reflect on the historical contexts in Germany and the USA.</p><p><br /></p><p><i>The artist <b>Philipp Gufler</b> combines various media in his work, including screen prints on fabric and mirrors, artist books, performances and video works. For the video installation Projektion auf die Krise (Gauweilereien in München) (2014), he began his research in the self-organised Forum Queeres Archiv München, of which Gufler is an active member. Gufler was awarded with the Media Prize of the German AIDS Foundation in 2020.</i></p><p><i><b>Kelly Krugman</b> (she/they), born in 1994, New Jersey, is a Mexican-American curator, editor and project coordinator at SAVVY Contemporary in Berlin, Germany. She co-founded SAVVYZAAR, the radio pillar of SAVVY Contemporary, which is dedicated to the sonic as a space of healing, catharsis and protest. They have been part of curatorial teams of projects spanning exhibitions, publications and public programmes in Berlin and abroad.</i></p><p><i><b>Susanne Sachsse</b> was born and raised in the GDR. She is a Berlin-based artist and co-founder of the art collective CHEAP. Her most recent works include sound, video and object installations, which have been shown at Künstlerhaus Bethanien (2022) and the Kestner Gesellschaft (2023), among others. Her first solo exhibition opened in 2021 at PARTICIPANT INC in New York. </i></p><p><i><b>Marc Siegel</b> is Professor of Film Studies at the Johannes Gutenberg University in Mainz. His research focuses mainly on issues in Queer Studies and experimental film. He is a member of the Academy of the Arts of the World in Cologne and part of the advisory board of the Forum Expanded section of the Berlinale.</i></p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-11209263554296908262023-12-04T03:35:00.000-08:002024-01-17T02:31:50.528-08:00Film screenings of "Conversation with Albert Knoll"<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1oZAsG7EJu_CJVkO6F3m4L8h5rkoueaj8WtSvn08rc4yCe4Zb3PzuQ7jYt7Adhn1fe_28uU5iB2NnejDF4kcmstFZ_-4C3OVhLI5jDAZzeCSYvx4vXazWF5muZstwhBq3OlF48k8rYJ293x6QRFOMeCAHfnbsEd2449dHfA-a9iNtl4nDeT2zdXW2e6vX/s3508/Web_Poster_Gespr%C3%A4ch%20mit%20Albert%20Knoll%20Kopie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3508" data-original-width="2480" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1oZAsG7EJu_CJVkO6F3m4L8h5rkoueaj8WtSvn08rc4yCe4Zb3PzuQ7jYt7Adhn1fe_28uU5iB2NnejDF4kcmstFZ_-4C3OVhLI5jDAZzeCSYvx4vXazWF5muZstwhBq3OlF48k8rYJ293x6QRFOMeCAHfnbsEd2449dHfA-a9iNtl4nDeT2zdXW2e6vX/w283-h400/Web_Poster_Gespr%C3%A4ch%20mit%20Albert%20Knoll%20Kopie.jpg" width="283" /></a></div><p></p><h1 style="text-align: left;">Gespräch mit Albert Knoll</h1><h3 style="text-align: left;">by Philipp Gufler</h3><p><br /></p><p>2023, 25 min.<br />Camera: Leo van Kann<br />Production: Forum Queeres Archiv München e.V.<br />Edit: Philipp Gufler<br />Translation: Nicholas Maniu</p><p><br /></p><p><i>For some time now I wanted to shoot a short film about Albert Knoll's tireless self-organized historical work and ask him why he has dedicated a large part of his life to commemorating the crimes against humanity committed during the Nazi dictatorship and what this archival work has done to him. A special focus is on oral history, as I am interested in how, as a conversational partner, one preserves their knowledge and experiences in a certain way after the death of the contemporary witnesses. After Albert Knoll has done so many contemporary witness interviews the last thirty years and was the one who asked the questions, I reversed the situation in the short film and interviewed him.</i></p><p><i><br /></i></p><h3 style="text-align: left;">Film screenings:</h3><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ILmcqxtRnbHy3tsUjjM1kQ1pV1urn8M5YL-PsvTXKZsSKFlQxlP8YJxd_9eB1td9VhxYvOyHIXCbzCi7a9ZS2PkweBUWrHjtGPPFZovHU5h1vcfynIOyi7Z1uAdXd_3QG5u1G4PL85H-E0losoNInIlRlA5ZVkdIShsZ-wgCgl2Ud34Z0nhUnIiFbvR7/s3510/OMOVIES%202023_official%20selection_nero%20Kopie.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2084" data-original-width="3510" height="119" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ILmcqxtRnbHy3tsUjjM1kQ1pV1urn8M5YL-PsvTXKZsSKFlQxlP8YJxd_9eB1td9VhxYvOyHIXCbzCi7a9ZS2PkweBUWrHjtGPPFZovHU5h1vcfynIOyi7Z1uAdXd_3QG5u1G4PL85H-E0losoNInIlRlA5ZVkdIShsZ-wgCgl2Ud34Z0nhUnIiFbvR7/w200-h119/OMOVIES%202023_official%20selection_nero%20Kopie.jpg" width="200" /></a></div><br /><p></p><p><br /></p><p><br /></p><p><br /></p><p><b><br /></b></p><p><b>OMOVIES<br /></b></p><p>Napoli, Italy<br />11. – 16.12.2023</p><p><a href="https://www.omovies.it/film-omovies-xvi/" target="_blank">More Information</a></p><p>----</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6F8OBeqw-Px5Q__1TYDnXAwfyP6xb9Jn1XTMUmcxWdvIBwBOvOiLY4P6CMIm1BuI_ETfcTa5OaIsIWWw7mhcuvC8eGX-r8Hug0yIiZvif52tFry7Hdn0dW-AzxzKl8CBGFxsQCjX-zDPzfbsWNDFKFtloDIBrxRl7LvTd0KRnMj9u_JcQxgvfZltVlES9/s787/PQFF_2023_Laurels_Official_Master_Gold%20Kopie.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="787" data-original-width="787" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6F8OBeqw-Px5Q__1TYDnXAwfyP6xb9Jn1XTMUmcxWdvIBwBOvOiLY4P6CMIm1BuI_ETfcTa5OaIsIWWw7mhcuvC8eGX-r8Hug0yIiZvif52tFry7Hdn0dW-AzxzKl8CBGFxsQCjX-zDPzfbsWNDFKFtloDIBrxRl7LvTd0KRnMj9u_JcQxgvfZltVlES9/w200-h200/PQFF_2023_Laurels_Official_Master_Gold%20Kopie.jpg" width="200" /></a></div><br /><p><br /></p><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><h4 style="text-align: left;">Perth Queer Film Festival</h4><div>Perth, Australia</div><div>6. – 14.3.2024</div><div><br /></div><div><a href="https://pqff.au" target="_blank">More Information</a></div><div><br /></div><div>----</div><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-39654113533680111702023-12-01T02:26:00.000-08:002023-12-01T02:26:30.325-08:00Six Quilts<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV48z1qwv1JyCKrd9LofgI2RUMJIg6wCnma5TuHInOWFW26CRyhWiCDFcXh_gU9WgwxV7hRgOtClbLSQfewM_7CuRxop1Hy1OeWYGW9rU62xeYX-3OGXYFsdy9M26T5chAxyJfZnMlUpy2D0vaIB30gXq1OaMJ5qzG31o4psbiTxLZwmpfG2nQfb2BTWU/s2700/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-05.jpg" imageanchor="1" style="font-weight: 400; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1800" data-original-width="2700" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNV48z1qwv1JyCKrd9LofgI2RUMJIg6wCnma5TuHInOWFW26CRyhWiCDFcXh_gU9WgwxV7hRgOtClbLSQfewM_7CuRxop1Hy1OeWYGW9rU62xeYX-3OGXYFsdy9M26T5chAxyJfZnMlUpy2D0vaIB30gXq1OaMJ5qzG31o4psbiTxLZwmpfG2nQfb2BTWU/w400-h266/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-05.jpg" width="400" /></a></div><h3 style="text-align: left;"></h3><h3 style="text-align: left;"><br /></h3><h3 style="text-align: left;">A Public Art Project at the Sports Facility at <a href="https://quivid.de/sechs-quilts/4137/" target="_blank">Ebereschenstrasse 15</a>, Munich</h3><p><br /></p><p>The artist Philipp Gufler has been working on his quilt series since 2013, and it includes the six pieces now permanently installed at the sports facility at <a href="https://goo.gl/maps/Q4ytS1x5K7GTa7nj7" target="_blank">Ebereschenstrasse 15 in Munich</a>. An artist’s book about the first thirty works of the series was <a href="https://hvm-books.com/publications/quilt-01-30" target="_blank">published in 2020</a>. The main impetus behind the works in this series is to make queer history visible—meaning, to give visibility to the histories of lesbian, gay, bi- and asexual as well as non-binary, trans- and intersex people. Every quilt is dedicated to a person, a place, or an important moment in queer history. The combination of images and texts, screen-printed onto transparent fabrics, visualizes something that is still missing in history books: experiences and life stories outside of what for a long time was, and partially still is, considered the “norm.” </p><p>At the same time, the transparency of the fabrics also embodies the ephemerality of memories and underlines the importance of producing an inclusive kind of historical narrative. The choice of medium is particularly important for the series: at its most essential, a quilt is a piece of fabric that has been pieced together out of different snippets of fabric. In the North American context, it is considered an heirloom object that can be handed down from generation to generation. With his works, Gufler connects to that same idea: continuing history and passing it on. </p><p>The quilt format is also associated with the US-based Names Project Foundation, which started working on a quilt for the countless long-ignored victims of the AIDS crisis back in 1987. With his works, Gufler too wants to remind people of those who were long forgotten and give them their deserved place in history. The artist underscores this goal in choosing the measurements of his fabric works. At a size of 180 x 90 cm, they are modeled on the proportions of the human body. The combination of these measurements and the transparency of the material produces visual works that can be read as historical archive turned art, alluding to the precarious situation of queer people and their past. </p><p style="text-align: right;"><i>Introduction by Nicholas Maniu</i></p><p><br /></p><p><b>Texts on the Quilts by Philipp Gufler</b></p><p><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt39" target="_blank">Quilt #39 (Alexander Sacharoff)</a> by Nicholas Maniu<br /><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt40" target="_blank">Quilt #40 (Karl Heinrich Ulrichs)</a> by Albert Knoll<br /><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt41" target="_blank">Quilt #41 (Women’s Resistance Camp Hunsrück)</a> by Nicholas Maniu<br /><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt42" target="_blank">Quilt #42 (Guido Vael)</a> by Sabrina Mittermeier<br /><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt42" target="_blank">Quilt #44 (Hof-Atelier Elvira)</a> by Linda Strehl<br /><a href="https://forummuenchen.org/en/six-quilts-by-philipp-gufler-a-public-art-project/#quilt45" target="_blank">Quilt #45 (Justin Fashanu)</a> by Christina Spachtholz</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzLPRGyHGwIcWeTZ6K6aqafpSONQvQudb5RjujOVSmv4L7_tyfODd6cEapEqv93yG3AS5zCmfL9REF1kmUpHs-O_272aGbC59X8cPAHAZGpmnrGQOFjYPncTBz2IyvxKnREwJn2UtRV8WlkzK__VI9sF2Da7MQR7ANIxtVP3-C1khDF62IRxe1e5IJHKrA/s2048/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3629-2048x1365.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzLPRGyHGwIcWeTZ6K6aqafpSONQvQudb5RjujOVSmv4L7_tyfODd6cEapEqv93yG3AS5zCmfL9REF1kmUpHs-O_272aGbC59X8cPAHAZGpmnrGQOFjYPncTBz2IyvxKnREwJn2UtRV8WlkzK__VI9sF2Da7MQR7ANIxtVP3-C1khDF62IRxe1e5IJHKrA/s320/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3629-2048x1365.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ivvcJ6A25kXyz7nGL6UwMOyYJovaVy4yjG_tvp0qWqtZkoD-jWu09TCWvnPdj4sVa-fszdhsYVgybBPu2LcQALDhwdLSar9SGvbCzgm7Nw0b5vQeVjLrAsj9N0kNUfRWd7k78n2-BNdYS16HtSY3jx4n2G_n5ULg5YJjgRlQT1F7Z9XLomWGEUziEvKa/s2048/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3633-2048x1365.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8ivvcJ6A25kXyz7nGL6UwMOyYJovaVy4yjG_tvp0qWqtZkoD-jWu09TCWvnPdj4sVa-fszdhsYVgybBPu2LcQALDhwdLSar9SGvbCzgm7Nw0b5vQeVjLrAsj9N0kNUfRWd7k78n2-BNdYS16HtSY3jx4n2G_n5ULg5YJjgRlQT1F7Z9XLomWGEUziEvKa/s320/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3633-2048x1365.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiCvSfU0mgsAXlznGJXxWVLTJ9uef7GV9kpdA0JCkbesWazpbQuUwHPjeKQfju-THqMxPl3GpH1OlNkn_9KcwxPuZFz3rxMS_78opDHM0cIxyEO02-BL7TbTSFExo3xWNYeeESIMg3pbnRLpgM5jrsuzY_oQR_SiNYK49BP3yeo6r-XGggYpiIFFdVWW-z/s2048/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3679-2048x1365.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiCvSfU0mgsAXlznGJXxWVLTJ9uef7GV9kpdA0JCkbesWazpbQuUwHPjeKQfju-THqMxPl3GpH1OlNkn_9KcwxPuZFz3rxMS_78opDHM0cIxyEO02-BL7TbTSFExo3xWNYeeESIMg3pbnRLpgM5jrsuzY_oQR_SiNYK49BP3yeo6r-XGggYpiIFFdVWW-z/s320/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3679-2048x1365.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm76KRDKP2AIV1dSpxranfl58kf38uS6ZprPz3AYi9iawYfVnK1MDGuV6TTxlb7bsEnxAMrAFALabptMpIyFyXXT0VzfXLT7NGCJ8br_TFlcpCj0QJIPD9A3qE17O8WliRLeWKMjB4YPsLvHbZR0Zm5RWErUP2ni9GEOm8arCYbzTgW-4Esq5hhjD4WJKi/s2048/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3688-1-2048x1365.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm76KRDKP2AIV1dSpxranfl58kf38uS6ZprPz3AYi9iawYfVnK1MDGuV6TTxlb7bsEnxAMrAFALabptMpIyFyXXT0VzfXLT7NGCJ8br_TFlcpCj0QJIPD9A3qE17O8WliRLeWKMjB4YPsLvHbZR0Zm5RWErUP2ni9GEOm8arCYbzTgW-4Esq5hhjD4WJKi/s320/2021_PhilippGufler_Quilts_FranzMuellerSchmidt_lowRes6d8a3688-1-2048x1365.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyOccdeIqXNy6kTn9PiYFCl8aBKX9yB-cwfNjEo7Fkh0XLc7v98Ul0l59CPES3iSrp_Rq4SqqQ-tm9A9QS8Cplt_VnFo8cNCQlQATFlSEne9ecA_Ir1feD45ClknrBYip3tVdOPqP3rgFGKDHsBBH5dn2T8B2SgpAhhSsa9OSyvTdH3lS7RF-I2TOTWtl/s2700/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-01.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="2700" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyyOccdeIqXNy6kTn9PiYFCl8aBKX9yB-cwfNjEo7Fkh0XLc7v98Ul0l59CPES3iSrp_Rq4SqqQ-tm9A9QS8Cplt_VnFo8cNCQlQATFlSEne9ecA_Ir1feD45ClknrBYip3tVdOPqP3rgFGKDHsBBH5dn2T8B2SgpAhhSsa9OSyvTdH3lS7RF-I2TOTWtl/s320/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-01.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizTO5BmsnZLWdMkkOdWMdJn6WBcp-JT1lVsxQ1WBvKZxy1WrNbVwE1RfjxxD7bCcGhQPQjC7aCo-JEldK4cbJKw4rafWB1a_lIMCLRk5wbubm6hAkykILoCtVIBXelcbzITwpWzh7POZQetR9vWJMqB2PcTBCmZ0LNkIUqSEoCjC26S5bWirf4eZ_kBpPY/s3600/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3600" data-original-width="2400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizTO5BmsnZLWdMkkOdWMdJn6WBcp-JT1lVsxQ1WBvKZxy1WrNbVwE1RfjxxD7bCcGhQPQjC7aCo-JEldK4cbJKw4rafWB1a_lIMCLRk5wbubm6hAkykILoCtVIBXelcbzITwpWzh7POZQetR9vWJMqB2PcTBCmZ0LNkIUqSEoCjC26S5bWirf4eZ_kBpPY/s320/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-04.jpg" width="213" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiScvfeS7fH2Xi0wEqUCCUAmMLbTnfDGfiw9ePYA15X-p49djW82x8h4FFImwAKvx4nZADN8tesozmMx1NrGA5SHGpWS6azQF3txa0yLFEl5QZHM9N4-vRuYjojCj_1W3jvBxSRG_feCPW1S6tZaWp_4ScQHGWFSb8IRHFF0bb0ILTxRvCmNtR0aIfkCIMD/s2700/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-07.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="2700" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiScvfeS7fH2Xi0wEqUCCUAmMLbTnfDGfiw9ePYA15X-p49djW82x8h4FFImwAKvx4nZADN8tesozmMx1NrGA5SHGpWS6azQF3txa0yLFEl5QZHM9N4-vRuYjojCj_1W3jvBxSRG_feCPW1S6tZaWp_4ScQHGWFSb8IRHFF0bb0ILTxRvCmNtR0aIfkCIMD/s320/quivid-muenchen-philipp-gufler-quilts-kunst-am-bau-2022-07.jpg" width="320" /></a></div><br /><p><span style="font-size: x-small;">Fotos: Franzi Müller Schmidt & Peter Schinzler for <a href="https://quivid.de/sechs-quilts/4137/" target="_blank">QUIVID Kunst am Bau München</a></span></p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-38662593607297792392023-09-23T09:00:00.002-07:002023-10-28T12:11:05.736-07:00TULCA Festival of Visual Arts<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSc-LdDQOwcWeBBATFq39d0nFOj1-8DeLyXDzBINzt_3CXSBQZ6ZISUQwIaeIJZvzpzmpjJ7HtnwJC00PQUe_KOkCG_ZJri7n93Jhaf9jXKllaxgEDurYz1DTaUVYsD9Vvzx1GLngFQaNaMELPnr0fj9NaHenTnVD5mvhZg7q3Pubr_y4he-dt_MiC2pC/s1506/TULCA+2023+Artists.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="969" data-original-width="1506" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdSc-LdDQOwcWeBBATFq39d0nFOj1-8DeLyXDzBINzt_3CXSBQZ6ZISUQwIaeIJZvzpzmpjJ7HtnwJC00PQUe_KOkCG_ZJri7n93Jhaf9jXKllaxgEDurYz1DTaUVYsD9Vvzx1GLngFQaNaMELPnr0fj9NaHenTnVD5mvhZg7q3Pubr_y4he-dt_MiC2pC/w400-h258/TULCA+2023+Artists.jpg" width="400" /></a></div><br /><p></p><p><b>TULCA Festival of Visual Arts </b></p><h2 style="text-align: left;">honey, milk and salt in a seashell before sunrise</h2><p>curated by Iarlaith Ní Fheorais.</p><p><br /></p><p>Festival dates: 3 - 19 November 2023<br />Galway city and county, Ireland. </p><div>Saturday, 4 November, 12:30<br /><b>Artist Talk: Philipp Gufler </b> <br />TULCA Gallery</div><p><br /></p><p>Contributors include: Áine O’Hara, Aisling-Ór Ní Aodha, Anna Roberts-Gevalt, Bog Cottage, Bridget O'Gorman, Edward Lawrenson & Pia Borg, Holly Márie Parnell, Jamila Prowse, Jenny Brady, Leila Hekmat, Nat Raha, P. Staff, Paul Roy, Philipp Gufler, Rouzbeh Shadpey, Sarah Browne and Sean Burns.</p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-77109033744647380282023-08-13T10:10:00.004-07:002023-09-22T03:18:06.625-07:00BRANDHORST FLAG COMMISSION: PHILIPP GUFLER<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzD__MxQb0v5HNRrHtflZgDXhnJElhAuy8TWRSXonXonbE7beTKM4rzx5djx0U4S5t1GOMd9a5O5wMZ1kvjBFBHeI0xxdRKWipt110HrPjEtywtsbnxV6ndmlD3zXuXlZamm6LzYk1qbrAHrl8AO3Hoi60-2yUzne3D79RCJRHOkOJmHMnwaN_S5FR89RF/s1500/2023-1259-007_b_klein.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1049" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzD__MxQb0v5HNRrHtflZgDXhnJElhAuy8TWRSXonXonbE7beTKM4rzx5djx0U4S5t1GOMd9a5O5wMZ1kvjBFBHeI0xxdRKWipt110HrPjEtywtsbnxV6ndmlD3zXuXlZamm6LzYk1qbrAHrl8AO3Hoi60-2yUzne3D79RCJRHOkOJmHMnwaN_S5FR89RF/w280-h400/2023-1259-007_b_klein.jpg" width="280" /></a></div><br /><p></p><p></p><p><b>9 September 2023 until 15 March 2024</b></p><p><b>9 September, 11 am, <a href="https://www.museum-brandhorst.de/en/events/breakfast-and-commission-viewing-philipp-gufler/" target="_blank">BREAKFAST AND COMMISSION VIEWING with PHILIPP GUFLER and a t-shirt sale for FORUM QUEERES ARCHIV MÜNCHEN</a></b></p><p>Starting in September 2023, Amsterdam and Munich-based artist Philipp Gufler will occupy the space with a new work. With his signature approach, he recontextualizes queer history in his often textile-based works. Rather than depicting complex overlays as in his silkscreen prints on fabrics and mirrors, for “Urning” he uses the visual impact of the medium of the flag.</p><p> In his flags, Gufler places the lawyer Karl Heinrich Ulrichs at the center of his work, using Pop Art aesthetics. Ulrichs coined the term “Urning,” which, in reference to the Greek god Uranos, was the first to formulate queer identity through a positive self-designation. At the German Jurists’ Forum, held at the Odeon in Munich on August 29, 1867, he demanded impunity for same-sex love. Although the term “Urning” did not catch on, Ulrichs has become a central source of inspiration for queer theory. Gufler links this historical importance to a significant poster campaign by the initiative Act Up Munich, which gained notoriety in 1995 for its protest against local Bavarian politicians. He updates the AIDS awareness campaign and creates a link between the historical treatment of queer identity and its relevance to current debates.</p><p>Curated by Dr. Monika Bayer-Wermuth</p><p><a href="https://www.museum-brandhorst.de/en/exhibitions/brandhorst-flag-commission-philipp-gufler/" target="_blank">More Information.</a></p><p><b>BRANDHORST MUSEUM</b><br />Theresienstraße 35A <br />80333 München</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZXE6qZ8MMCXIw3tPFyO0xm2LHCTorhQ3DcCASCxwIB0fQ688qhIiSZlmaJvLu4ORhjX4HRI2kD2OF-n14Gy52yPMdSbiNJpO1X48DZpMErADKgOdwYrZTJyq36-UE3W0vI344UiQpSNCq8Qr4bsxVTwIPcXigw4MUL8ZbRQAO6QFHmywHJc4v6FFXK5Ua/s2835/85340299-4027-4316-B230-D5D1B0A57353.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2835" data-original-width="2126" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZXE6qZ8MMCXIw3tPFyO0xm2LHCTorhQ3DcCASCxwIB0fQ688qhIiSZlmaJvLu4ORhjX4HRI2kD2OF-n14Gy52yPMdSbiNJpO1X48DZpMErADKgOdwYrZTJyq36-UE3W0vI344UiQpSNCq8Qr4bsxVTwIPcXigw4MUL8ZbRQAO6QFHmywHJc4v6FFXK5Ua/s320/85340299-4027-4316-B230-D5D1B0A57353.jpeg" width="240" /></a></div><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><br /></p><p><b>The T-shirts can be ordered S, M, L, XL in white, S, M, XL in gray and S, M, XL, XXL in light blue at Forum Queeres Archiv München or <a href="https://forummuenchen.org/publikation/brandhorst-flag-commission-t-shirts-von-philipp-gufler/" target="_blank">here</a> for 20 Euro plus shipping costs. With the purchase of a T-shirt you support our voluntary archive work.</b></p><p><b><br /></b></p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg8S2q_lW7r_g-MrRICS2XGirRhwts_Cn_9yJgt38kWuDKKcxKOGR0lWta1ldhtaobNcHi5-XOl6PnFe1s5iPcHCuc4thiUKGvTYOf5VgCsgXNOiGT-9DUTofZlGOZI_7U9hejjK50QwsVfIruw33GIV3ecsh9Xd5d8yRVJSDQcveMWU5dP5CuzySnY7mt/s1772/2023-1249-183klein.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1182" data-original-width="1772" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg8S2q_lW7r_g-MrRICS2XGirRhwts_Cn_9yJgt38kWuDKKcxKOGR0lWta1ldhtaobNcHi5-XOl6PnFe1s5iPcHCuc4thiUKGvTYOf5VgCsgXNOiGT-9DUTofZlGOZI_7U9hejjK50QwsVfIruw33GIV3ecsh9Xd5d8yRVJSDQcveMWU5dP5CuzySnY7mt/s320/2023-1249-183klein.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQDXcgSdkMfV1SF9eDV2agwiwkhyar1l-XOKn_HEygLCbnlgO9s4nN4ZLXMCtCrFv1wQsC2Jf0st7BafGH-O1guPxD30vxDGWp_o-NvE7ACAD6PCPqVokbQTBvcBXA8SrHzsqEaAbHaQKLdAjLJRIth6nK0I2XebKohDTB3OglmFyOA5pu4r0qGRQDova1/s1772/2023-1259-014_b_klein.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1772" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQDXcgSdkMfV1SF9eDV2agwiwkhyar1l-XOKn_HEygLCbnlgO9s4nN4ZLXMCtCrFv1wQsC2Jf0st7BafGH-O1guPxD30vxDGWp_o-NvE7ACAD6PCPqVokbQTBvcBXA8SrHzsqEaAbHaQKLdAjLJRIth6nK0I2XebKohDTB3OglmFyOA5pu4r0qGRQDova1/s320/2023-1259-014_b_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiaSdmnOnAJ60ODxvHTGcfDqwOQgA7GIIVVh0S5Qv9dJJtWEygOnkzCZ_-QPMWSo7gtf-jpXbzGDwKdBymAkn4imkeJkMeE6PVQG3f1zFsXhqvJX487wGBwsDDzmqXOXwH2Eo1ML2yfyZM3OICxC0_IywOVW0vn1xJ1iJfQrRNzWUTKix-_q7GtmgAwJMg/s3000/2023-1259-082.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="1890" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiaSdmnOnAJ60ODxvHTGcfDqwOQgA7GIIVVh0S5Qv9dJJtWEygOnkzCZ_-QPMWSo7gtf-jpXbzGDwKdBymAkn4imkeJkMeE6PVQG3f1zFsXhqvJX487wGBwsDDzmqXOXwH2Eo1ML2yfyZM3OICxC0_IywOVW0vn1xJ1iJfQrRNzWUTKix-_q7GtmgAwJMg/w253-h400/2023-1259-082.jpg" width="253" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><span face=""Alegreya Sans", sans-serif" style="background-color: white; caret-color: rgb(255, 255, 255); font-style: italic; letter-spacing: -0.2px; text-align: center;"><span style="font-size: xx-small;">Fotos: Haydar Koyupinar</span></span>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-12480311710749005672023-08-13T10:03:00.003-07:002023-09-22T03:40:10.404-07:00On Listening<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSZUUup4Bkjza4iQcAG89VaRyguNZzZlFRtMc0CXDKfIWzonLkd8iD3Rc7F2ct4xf-fdGWmCtiiqS8yi_F_8Z6gLWruT5sc_kCy0cIqBv3HMkPoBuyuXz4XivhbeQsiY6tFmtXwMz5wJqCO6QiPibcSpOQxCIfHwHUJQ-6jtxUupMgybSpfD5-1du0TAZ3/s2466/230728_Lothringer_on_listening_07_compressed-2%20Kopie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1754" data-original-width="2466" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSZUUup4Bkjza4iQcAG89VaRyguNZzZlFRtMc0CXDKfIWzonLkd8iD3Rc7F2ct4xf-fdGWmCtiiqS8yi_F_8Z6gLWruT5sc_kCy0cIqBv3HMkPoBuyuXz4XivhbeQsiY6tFmtXwMz5wJqCO6QiPibcSpOQxCIfHwHUJQ-6jtxUupMgybSpfD5-1du0TAZ3/s320/230728_Lothringer_on_listening_07_compressed-2%20Kopie.jpg" width="320" /></a></div><br /><b><br /></b></div><b><div><b><br /></b></div>08 September – 12 November 2023</b><br /><br /><div><b>Thursday, 07 September 2023, 7 p.m.: Opening</b></div><div><br />Ashley Holmes, Forum Queeres Archiv München e.V. & Philipp Gufler, Helen Cammock, Hui Ye & Qu Chang, Jovana Reisinger, Maria Margolina <br /><br /><div>From September, the art space Lothringer 13 Halle presents the project <a href="https://www.lothringer13.com/en/program/coming/on-listening/" target="_blank">On Listening</a>, which brings together international artists, researchers, activists, audio, archival material, theorists to question the dynamics of spoken and auditive narratives as well as listening. Together, the contributions and works explore the relevance and complexity of listening from multiple perspectives and open the exhibition space for conversation and exchange. </div><div><br /></div><div>For the project "On Listening" Philipp Gufler, artist and long-time active member of the Forum Queeres Archiv München (FQAM) realized a cinematic portrait of Albert Knoll's decades of archival and research work with a focus on Albert Knoll's self-initiated interviews with witnesses. Albert Knoll is a founding member of the Forum and has been on the board ever since. This new short film, together with selected archive material, provides a very personal and deep insight into Knoll's historical work as well as his commitment to the association with a focus on oral history(s) and witnessing.</div><div><br /></div><div>Curated by <a href="https://www.lothringer13.com/information/personen/team/christina-maria-ruederer/">Christina Maria Ruederer</a></div></div><div><br /></div><div><br /></div><div><div><b>Lothringer 13 Halle</b></div><div>Lothringer Straße 13</div><div>München</div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsc5TE4vmEfgPupY0rHJQx3es0AC-k8XXPWJ0olTOKRbSjLhiHLmgC4nq5pFH7ZZLYG4pSJH0TMeHRWLTj_lgP0tfGAPBvWJieELZuYu4azh1EnyoZi793gQz3AcQlhBUP658RGOMgi5CoRTWup54R37T6PVTipDllfwZX1hcawgX28DkeOal6ng-FVRxM/s1772/on_listening_0142_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1772" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsc5TE4vmEfgPupY0rHJQx3es0AC-k8XXPWJ0olTOKRbSjLhiHLmgC4nq5pFH7ZZLYG4pSJH0TMeHRWLTj_lgP0tfGAPBvWJieELZuYu4azh1EnyoZi793gQz3AcQlhBUP658RGOMgi5CoRTWup54R37T6PVTipDllfwZX1hcawgX28DkeOal6ng-FVRxM/s320/on_listening_0142_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6CnCDscMEtvUK1nWfOhiUH4fsrQrldcCkEs0Nffr0arJ-clJ2AZdDCT00KXquRGKlcsBUtzU3PY06Rt0SEAUuXq4GkUAu6fqv6fWkP6FC5Omu3U7n3Jw3g_tBbzDhzbOK1-DvtWENdcB2W2WLIMKMfQ_7GYltepsIYDn0ywV1zT-HWqrEtgvFEhByIlvh/s1772/on_listening_0495_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1772" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6CnCDscMEtvUK1nWfOhiUH4fsrQrldcCkEs0Nffr0arJ-clJ2AZdDCT00KXquRGKlcsBUtzU3PY06Rt0SEAUuXq4GkUAu6fqv6fWkP6FC5Omu3U7n3Jw3g_tBbzDhzbOK1-DvtWENdcB2W2WLIMKMfQ_7GYltepsIYDn0ywV1zT-HWqrEtgvFEhByIlvh/s320/on_listening_0495_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDsWaSQsA-ExFjXimNB3klTMKDk4zwIvRZBt4dBXAopvpr4oxoHNaJjHmlJJwkjOdOrcDD6ZdJpGeeLObjUlGfqg6-2asMwCjqZ9y7zJusBAvdgX6_qQQx4D22-mZzxSLyTE1lu9MICsUuTJ7lRicpJVMdNj6RUS6o6My5GB-9kzz4d4obkJlRvZ9FamE/s1771/on_listening_0527_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1771" data-original-width="1181" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDsWaSQsA-ExFjXimNB3klTMKDk4zwIvRZBt4dBXAopvpr4oxoHNaJjHmlJJwkjOdOrcDD6ZdJpGeeLObjUlGfqg6-2asMwCjqZ9y7zJusBAvdgX6_qQQx4D22-mZzxSLyTE1lu9MICsUuTJ7lRicpJVMdNj6RUS6o6My5GB-9kzz4d4obkJlRvZ9FamE/s320/on_listening_0527_klein.jpg" width="213" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICFSwDG3UZHadag__kCUIhj8O-l8f1T8soa_mweveIl0VNM1W5ThnnPu84vwWdM1woiI0fDJ0-oyfVz6Y_o_95LJoz1T5Omc6UI330kxmn_NekddLFV8rDL-O60NV7GTNwz4tdaQXALri2rh4hL-4-boSNxC1KCAgw5eSq_pgqbJIE7tjUgC7zWT0V6BN/s1772/on_listening_0542_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1772" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgICFSwDG3UZHadag__kCUIhj8O-l8f1T8soa_mweveIl0VNM1W5ThnnPu84vwWdM1woiI0fDJ0-oyfVz6Y_o_95LJoz1T5Omc6UI330kxmn_NekddLFV8rDL-O60NV7GTNwz4tdaQXALri2rh4hL-4-boSNxC1KCAgw5eSq_pgqbJIE7tjUgC7zWT0V6BN/s320/on_listening_0542_klein.jpg" width="320" /></a></div><br /><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-54469314575583565572023-06-09T04:23:00.003-07:002023-07-05T09:59:10.911-07:00Love Planets<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGCC220f5e82q4RWvyckKrWifiTQp6LKwq_aDWUnZctO5MZtG4S8LeoBZYvFXdMPzfeiBlm85SohV_X__Z8XkGJSfpyoKoSuZd5rDJY4yrO8pxfqhEJKVUrHBbVOlYp6kSZEnBm_-pAJlbdXwFgr9RpperyfJ6C3f-0ZAkaEye550-i0MwfJQX9Exokw/s1134/IMG_4317.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="756" data-original-width="1134" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGCC220f5e82q4RWvyckKrWifiTQp6LKwq_aDWUnZctO5MZtG4S8LeoBZYvFXdMPzfeiBlm85SohV_X__Z8XkGJSfpyoKoSuZd5rDJY4yrO8pxfqhEJKVUrHBbVOlYp6kSZEnBm_-pAJlbdXwFgr9RpperyfJ6C3f-0ZAkaEye550-i0MwfJQX9Exokw/w400-h266/IMG_4317.jpg" width="400" /></a></div><br /><h1 style="text-align: left;">LOVE PLANETS</h1><h3 style="text-align: left;">Philipp Gufler and Cosy Pièro</h3><p><br /></p><p>23 June - 28 July 2023 </p><p>Opening 22 June 2023, 6 - 8 pm<br />with a book presentation of <i>A Shrine To Aphrodite</i> by Philipp Gufler (Hammann Von Mier Verlag, 2023)</p><p><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">What planet do we live/love on? Is love timeless, infinite even? Who loves who or what? Philipp Gufler and Cosy Pièro’s work in the exhibition, Love Planets, at the Galerie Françoise Heitsch revolve around such questions of love in the broader sense of the word.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">In Philipp Gufler’s Die Wirrwelt der Urninge (2023), brightly coloured undressed bodies unite in dance and desire against an idyllic mountain backdrop. Those potrayed in this paradise – the Uranians – owe their name to the planet Uranus and a mythological reference: the ancient Greek god Uranus, who has symbolized same-sex love since antiquity.¹ Without a woman’s involvement,, the goddess of love Aphrodite emerged from sea foam made up of Uranus’ fallen body parts. Based on this, Karl Heinrich Ulrichs (1825-1895) coined the term Uranian, even before words such as gay or homosexual dominated language (initially and predominantly with negative connotations). Uranian was completely different, as Ulrichs also described himself as a pioneer of the queer emancipation movement in 1867 in what was most likely the first outing in modern history. Gufler takes a similar, proud stance when he confidently lends his own face to some of the figures in the picture. In terms of form and motif, the screen prints on paper refer to the wall-filling panorama Die Klarwelt der Seligen, which Elisàr von Kupffer (1872−1960) painted in 1925/37 within the context of the religious movement Klarismus. For Philipp Gufler, the mural stands for a paradisical, non-binary imagination of love set apart from categories of difference.²</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">By referencing the works of certain people of past generations, Gufler pays homage to a Queer Futurity³, which, in addition to Ulrichs and von Kupffer, is also primarily aimed at the second artist in this exhibition: Cosy Pièro. However, her artistic works reflect less on utopian future scenarios, as they are literally</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">anchored in life: for example, the leather shoes on which she wrote GEHEN LASSEN (letting go) with adhesive letters (2014). In sculptural gestures and with reduced text, such as Potenzial, Pièro negotiates fundamental parameters of human existence: energy, death, love. Everything and everyone have potential, yet contradictions remain. They are abstract, poetic comments on the inadequacies of the present; the political rationalisation of being together, the insistence on gender binaries, the heteronormative understanding of love. Aptly drawn on a deep blue screenprint: Ich liebe nur die Illusion (2012).</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">The visual artist’s commitment to this present is anything but illusory. With the bar “Bei Cosy”, she created one of the few spaces for the queer community in Munich from 1962 to 1980. In this space as well as in her art the focus was on encounters between people, regardless of age, origin, gender, and sexuality; an attitude that is particularly impressive in times of identitarian demarcations. Attracted by this, Philipp Gufler realised a re-enactment of the “Bei Cosy” bar in Amsterdam and Munich in 2015 and 2017 respectively, with the Publik Universal Frxnd. Cosy and Gufler have elective affinities for each other and have met over the search for queer points of reference in the past and present. They have been friends for nearly 10 years, have collaborated several times in the past and are now exhibiting here for the first time in a duo exhibition.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">The heterogeneous oeuvres of Cosy Pièro and Philipp Gufler come together in this intersectional queering. Just as Pièro's works are reflected in Gufler's screen-printed mirrors in the exhibition, her work reflects back to Gufler, an artist several generations younger. On the occasion of the publication Cosy bei Cosy (2023), published in collaboration with Ruine Munich,⁴ he dedicated a performance including a costume to her, which can be seen in the exhibition. Photographs of Pièro's Potenzial series are printed on the robe. The future moment of the exhibition manifests itself in this closeness across spatial and temporal distances: Queer Futurity overcomes the utopian mode. It is not a longing for a queer, intangible future reality, but a creation in the form of a transgenerational solidarity and reflection between two artists, through live/love.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">Mareike Schwarz</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">¹ </span><a href="https://schwulengeschichte.ch/epochen/2-weg-zur-selbstbestimmung/vorkaempfer-und-opfer/karl-heinrich-ulrichs/urning/" style="-webkit-text-size-adjust: auto; border: 0px; box-sizing: inherit; color: black; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; font-stretch: inherit; letter-spacing: 0.204px; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;">https://schwulengeschichte.ch/epochen/2-weg-zur-selbstbestimmung/vorkaem...</a><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">² Philipp Gufler, Zine for the exhibition Substitutes at W139 in Amsterdam, 2023, page 8.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">³ José Esteban Muñoz, Cruising Utopia: The Then and There of Queer Futurity, NYU Press, 2009.</span><br style="-webkit-text-size-adjust: auto; box-sizing: inherit; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;" /><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;">⁴ Thanks go to the members of Ruine München: Leo Heinik, Jan Erbelding and Maria VMier.</span></p><p><span style="-webkit-text-size-adjust: auto; font-family: "Avenir LT W02_55 Roman", sans-serif; font-size: 13.6px; letter-spacing: 0.204px;"><br /></span></p><p><a href="https://www.francoiseheitsch.de/exhibitions" target="_blank"><b>Galerie Françoise Heitsch</b></a><br />Amalienstrasse 19<br />80333 München<br />Germany</p><p><br /></p><p></p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj07Sri09nQEgf-rxe7wLt65a7ZqamSg8AJr1pZXhFO23nQBF_33BkERmKws9wHrs7AvtDvK3Kex1Z9w2U-b5IlV45EHj51dX4GPS4adrRSh6WdvNG55VUw5q_TcRUGJ69ki0g1a31KhnR8GV3p6clXQsXmvDvyejpExuwIyGyTH4rCrrGnUoVVZewFQ-8m/s1280/17F83ED2-1D66-49A2-9F6A-AC5679E1A3E9.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="853" data-original-width="1280" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj07Sri09nQEgf-rxe7wLt65a7ZqamSg8AJr1pZXhFO23nQBF_33BkERmKws9wHrs7AvtDvK3Kex1Z9w2U-b5IlV45EHj51dX4GPS4adrRSh6WdvNG55VUw5q_TcRUGJ69ki0g1a31KhnR8GV3p6clXQsXmvDvyejpExuwIyGyTH4rCrrGnUoVVZewFQ-8m/s320/17F83ED2-1D66-49A2-9F6A-AC5679E1A3E9.jpeg" width="320" /></a></p><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMf9OYdXolL0mK5UW5G8rFmn5fJKaUeqILZN1179OJcSgh-Na9TdSkbkhuxRSlXvi1ABGmz_MebZQ6YyR2JwZ3pCAsG9Kd5RDE3DsN52P079wN97Ce8UfduI6NW7Yo3dPrwrI4RL5bXch3P_sxJOrTRYA71vJIdej5zW_K2Uh3kVPGTegjvmUMd0HwyVgJ/s2304/DF319E59-4AF9-4930-A1B9-C7A2D7A7DB38.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2304" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMf9OYdXolL0mK5UW5G8rFmn5fJKaUeqILZN1179OJcSgh-Na9TdSkbkhuxRSlXvi1ABGmz_MebZQ6YyR2JwZ3pCAsG9Kd5RDE3DsN52P079wN97Ce8UfduI6NW7Yo3dPrwrI4RL5bXch3P_sxJOrTRYA71vJIdej5zW_K2Uh3kVPGTegjvmUMd0HwyVgJ/s320/DF319E59-4AF9-4930-A1B9-C7A2D7A7DB38.jpeg" width="213" /></a></div><br /><p><br /></p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-6418564788387949872023-05-31T02:11:00.000-07:002023-12-04T03:47:22.747-08:00SUBSTITUTES at W139<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXi_vVJ--yW3yiArr-cT5cjY19c4mQhKbgpcuwvyArerSBgkh64Lbe1d0V_vhQ8f9gdpe4WNTt0c3DrsXyhz3vN75L6QH-EL_aTz5qcVFozOXEEyIfhuDGc7vT9y6tOF_BkNldU7ctTjNxwH1tAR15DH5-01zJ7PN6ivAdzpDaldCz9peKKLjb7kqcaQ/s1370/Bildschirmfoto%202023-04-12%20um%2012.31.12%20PM.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="698" data-original-width="1370" height="204" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXi_vVJ--yW3yiArr-cT5cjY19c4mQhKbgpcuwvyArerSBgkh64Lbe1d0V_vhQ8f9gdpe4WNTt0c3DrsXyhz3vN75L6QH-EL_aTz5qcVFozOXEEyIfhuDGc7vT9y6tOF_BkNldU7ctTjNxwH1tAR15DH5-01zJ7PN6ivAdzpDaldCz9peKKLjb7kqcaQ/w400-h204/Bildschirmfoto%202023-04-12%20um%2012.31.12%20PM.png" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><h1 style="text-align: left;">SUBSTITUTES</h1><h3 style="text-align: left;">22 April - 18 June 2023<br />Exhibition opening: Friday, 21 April 2023 from 6 pm - 10 pm</h3><p>Substitutes engages with queer history and discourses around the body, gender, and sexuality. It features artists across several generations working in a variety of mediums to contextualise and converse with these discourses. The exhibition is about the absence of bodies, the abstraction of the body, and the tools and language we use to maintain or describe our bodies—costuming, staging, masks, layering, clothing. It questions the normative frameworks that queer and functionally diverse people are subjected to. The human body is, paradoxically, both absent and present within the exhibition. </p><p>Initiated by the artist Philipp Gufler, Substitutes brings together works of Lorenza Böttner, Johanna Gonschorek, Elisàr von Kupffer, Rabe perplexum, Louwrien Wijers, Johannes Büttner, and Bruno Zhu. Philipp Gufler will show a new work titled Body/Text: a large-scale silk screen printed textile piece that draws inspiration from Elisàr von Kupffer’s panorama painting Klarwelt der Seligen (Clear World of the Blissful). By connecting contemporary discussions to historical perspectives, the exhibition aims to create a ‘living archive’. Drawing together artistic positions from then and now, the exhibition traces queer lives and networks from the past to our present. </p><h3 style="text-align: left;"><br /></h3><h3 style="text-align: left;">public programme</h3><h4 style="text-align: left;">Keeping up with the Virus <br />Thursday 11 May from 20:00 to 21:00</h4><p>A performance by Szymon Adamczak with Billy Mullaney exploring interdependency, connection seeking, risk-taking, and solidarity through the embodied metaphor of the virus performing in the artist’s body in the era of undetectability. Situated in relation to the unique constellation of artists gathered at W139, the performance looks to activate genealogies and dramaturgies of living with HIV across time.</p><p><br /></p><h4 style="text-align: left;">Tomorrow’s Language<br />Saturday 3 June from 16:00 to 17:30</h4><p>A dialogue between the artists Louwrien Wijers, Rory Pilgrim, and Philipp Gufler. Together they will explore Louwrien’s artworks, the significance of food, intergenerational friendships among artists, and the importance of learning from one another. Expanding on the topic of food, chef, artist and longtime collaborator of Louwrien, Egon Hanfstingl, will be preparing a saffron honey yogurt for all attendees to enjoy at the end of the event.</p><p><br /></p><h4 style="text-align: left;">Guided Tour of the Exhibition <br />Sunday 4 June from 15:00 to 16:00</h4><p>by Philipp Gufler and Tomas Adolfs.</p><p><br /></p><h4 style="text-align: left;">Guided Tour of the Exhibition <br />Friday 9 June from 18:30 to 19:30</h4><p>by Philipp Gufler and Wilfred van Buuren in collaboration with IHLIA.</p><p><br /></p><h4 style="text-align: left;">Rabe perplexum and the Eccentric 80s <br />Friday 9 June from 20:00 to 21:30</h4><p>A film screening and book presentation with Angela Stiegler and Philipp Gufler in collaboration with the Goethe Institut Amsterdam. With their performative and collaborative works, Rabe perplexum was a subversive voice of queer subculture in the 1980s. In conversation with Fabian Reichle, the artists Gufler and Stiegler will discuss artistic practices of the ‘Eccentric 80s’, their exhibition and publication of the same name, from today’s perspective.</p><p><br /></p><p><span style="font-size: x-small;">Visual identity by Jacob Hoving.</span></p><p><span style="font-size: x-small;">This exhibition is generously supported by Mondriaan Fonds, Gieskes-Strijbis Fonds, Amsterdam Fonds voor de Kunst, Fonds21, Goethe Institut, Centro Elisarion, Pro Elisarion Association, Monacensia im Hildebrandhaus, Forum Queeres Archiv München and Grafisch Atelier Hilversum. </span></p><p><br /></p><p><a href="https://w139.nl" target="_blank"><b>W139</b></a><br />Warmoesstraat 139 <br />1012JB Amsterdam, Nederland <br />Tue – Sun 12:00 – 18:00</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvN0YFYqpeK8DrwzYqHBbjEHpchkcGdFv1ItsyWwRW9jAJo_wJkvMBBGdMJjxyfAKXze_1nz8pxOc0stF9hm0KcTC8ytgrUiVrvZaoBJvhn775UiY5R9j2K5k8VHk_q4Y3pNZ5EAd1Q8G4Aq8D1ZKKYOulPyPh-sK0Gp_ybCgGsbyqtjN-CGbL4bdGxQ/s1920/W672_1353821-Johannes-Buttner-Panorama.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1618" data-original-width="1920" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRIeQpRUJwZV6hOUsbk0i_y4I9fDIl2GG_2oP6kiUkFqyjZf7zw7qkIHQ1PQpE6OEAynUeMaey3hsTscr8-5B5tESExiog8kjc71FsIZEGtiRaUo9pgqo_5ZWiodkwaR6WTi-qmem6ZqOMVjKhGcAlUzr7xkf6rdMUDPD7CnMY_IcANhPkpN-Sw_sEqA/s320/W672_1354365-Johannes-Buttner-Panorama.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSldQ-0AOVyjNmAbqc4ok9fBPCPGVtyxLQrQsc4Sz3dmpbO-Mmb9Y50MGyLFYqfqy_DvXOOfVspiK0IW03zNUDfyCK0AQ3nGHiOZbZDaXgDsQZhHN1t9dJZj3_LUxcBoTXhstxdU84umqZJa7RuWl9Wtt2zzigIrfoIVFbuoliR9Z00stukaVxc6-RSw/s1920/W672_1354408-Panorama.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1212" data-original-width="1920" height="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSldQ-0AOVyjNmAbqc4ok9fBPCPGVtyxLQrQsc4Sz3dmpbO-Mmb9Y50MGyLFYqfqy_DvXOOfVspiK0IW03zNUDfyCK0AQ3nGHiOZbZDaXgDsQZhHN1t9dJZj3_LUxcBoTXhstxdU84umqZJa7RuWl9Wtt2zzigIrfoIVFbuoliR9Z00stukaVxc6-RSw/s320/W672_1354408-Panorama.jpg" width="320" /></a></div><br /><div>Photos: Pieter Kiers</div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-58392280605957806192023-05-16T01:25:00.002-07:002023-05-16T01:25:44.998-07:00Woonhuis<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjm4AZGGa3nw2Adxqthn8s5q5EwMDuBMUM0CLxs0BtW8dYk9ONF1xp4--NiOijjL9wJd5xF_6U36jin7uL7xLoWiUgqgTi0CKhLtgFXVjVEC9y-PouJDbm0Wr8UCDfOLn2iGIAM83fSSHbwu98eLPiZU82Ec9H7JO9cyfaV4LufLwxeZbauX5ly-jLw/s1128/e20dbaac-4070-13ca-0514-78fb78575aea.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="348" data-original-width="1128" height="124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOjm4AZGGa3nw2Adxqthn8s5q5EwMDuBMUM0CLxs0BtW8dYk9ONF1xp4--NiOijjL9wJd5xF_6U36jin7uL7xLoWiUgqgTi0CKhLtgFXVjVEC9y-PouJDbm0Wr8UCDfOLn2iGIAM83fSSHbwu98eLPiZU82Ec9H7JO9cyfaV4LufLwxeZbauX5ly-jLw/w400-h124/e20dbaac-4070-13ca-0514-78fb78575aea.jpg" width="400" /></a></div><div><br /></div><div><br /></div><b>De Ateliers opens new project space Woonhuis with an exhibition and 9 commissions.</b><p style="direction: ltr; font-family: "Helvetica Neue", Helvetica, Arial, Verdana, sans-serif; font-size: 16px; line-height: 1.5; margin: 0px; padding: 0px; white-space: pre-wrap; word-break: break-word;"><br /></p>De Ateliers celebrates its 60th birthday with the opening of the new project space Woonhuis. The opening will be on 31 May 2023 from 5-7pm. Sudden Wealth with Roy Claire Potter, performance at 6pm<br /><br /><b>9 Balusters</b> by Nina Canell, Chris Evans, Tild Greene, Philipp Gufler, Frieder Haller, Cecilia Bjartmar Hylta, Clémence de La Tour du Pin, Brianna Leatherbury, and Marina Pinsky.<br /><div><br /></div><div><div>The exhibition is on view June 1 – 11, Thu-Sun, 1-6pm. Free entrance. </div><div>Access right side of De Ateliers building on Stadhouderskade 86, Amsterdam.</div></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-10896294955108936802023-03-06T01:38:00.000-08:002023-03-07T02:01:25.275-08:00A Shrine To Aphrodite<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIeS9R3ZpZfLjRc262ztgDJYBJl0P3xppfFyMNL71ovMibnLE2KsR3axEwABHzWrCIjTRahFlrp8A7gWVDT1EjwFLe6WKMbxEEyC1Max36sQY10B4tR8nFJ-_18VjacfOScUQAU8rJN5XsO3Jsg-_c2-Um9rX9SXDRCw-_vnCSV1Xu0j70tZXaW5ESjw/s2560/dc69ba64cc2eff2a4fac21f43bd2c16b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2007" data-original-width="2560" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIeS9R3ZpZfLjRc262ztgDJYBJl0P3xppfFyMNL71ovMibnLE2KsR3axEwABHzWrCIjTRahFlrp8A7gWVDT1EjwFLe6WKMbxEEyC1Max36sQY10B4tR8nFJ-_18VjacfOScUQAU8rJN5XsO3Jsg-_c2-Um9rX9SXDRCw-_vnCSV1Xu0j70tZXaW5ESjw/s320/dc69ba64cc2eff2a4fac21f43bd2c16b.jpg" width="320" /></a></div><br /><div><br /></div><h2 style="text-align: left;">A Shrine To Aphrodite</h2><h3 style="text-align: left;">Philipp Gufler, 2023</h3><br />The human body is a central focus in Philipp Gufler's mirror painting series. Looking at the work, the spectator is confronted with their own image. To make these works Gufler uses a silkscreen printing technique on mirrored glass in order to produce layers of translucent pigment.<br /><br />"Gufler’s ‚mirrorical’ art passes through the looking glass; his spaces are traps for the gaze. The reflective surfaces and diaphanous scrims in his oeuvre function as projection screens and as obstacles in games of identification and disidentification; recognition and misrecognition; self-performance and self-alienation.“<br />Sven Lütticken<br /><br />Concept/Editor: Philipp Gufler<br />Design: Sabo Day<br />Text contributions: Philipp Gufler, Sven Lütticken<br />Photos: Julika Rudelius<br />Silk screen print: Philipp Gufler at Grafisch Atelier Hilversum<br /><br />78 p., 1c offset, softcover with linen spine and 16 silkscreen printed mirror papers, glued, 22.6 x 29.7 cm<br />ISBN: 978-3-947250-51-62023<br />numbered and signed Edition of 150<br />100 €<div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo6aqHjdsxowKgmIxSeyNuv48XPZqEeIGP9kyb8_pNWgE6B3fA1wU-IRUX4lqo4wsuVHGkirT4BoMgkE9P5BgIcmNjsepof7u28xaW-fKKb5NEOLiboHN4cBSLADjg-WLlixDWU37OG9XqvuORdinZQcbafW1yCY5rCP2LOuiAtuLwFxFmEJ98Ayfu3g/s2560/56cd043d43038fae4c675add2eee5c48.jpg" imageanchor="1" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1972" data-original-width="2560" height="247" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwxnW9iu5Hkgza12zBX1fpyxxyVD_Rwt-Qx_Y7KKTMyNrrru_nWQVEZoyOv0D0LqlPdVVrGDVnE-g5i5BxeNKU0-OL1CnaHZw-7TsCq4mF-SqOW9GHAIu6ckXluUGPGFi7gkPoqHGP0XUvDImYCwPIQG5Viw-EwBGvPxRpm0O3dqaynjEselYYNQVb3A/s320/003d8552060c8d054ac89a140b6a40f8.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXItwzF2i2JUa8zgGSGcuonSuEUX-0bu8m2C53LHFSDwc_pYt-1f-QwSMjnaCq1l5bVK5pzxPCWP2Ghl596knyr2m952ko6KVD4NuIxu6FCr9_sDmUE9xhcwSn28uJr4PBZSqYikNFfhdrF9xO5w8BZ5deOQH4hr-7tJfIQWppbOvD9ddOUx62sNEiwg/s2560/61f5813787a1ce59aaca1a9ddf6a33d6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1844" data-original-width="2560" height="231" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXItwzF2i2JUa8zgGSGcuonSuEUX-0bu8m2C53LHFSDwc_pYt-1f-QwSMjnaCq1l5bVK5pzxPCWP2Ghl596knyr2m952ko6KVD4NuIxu6FCr9_sDmUE9xhcwSn28uJr4PBZSqYikNFfhdrF9xO5w8BZ5deOQH4hr-7tJfIQWppbOvD9ddOUx62sNEiwg/s320/61f5813787a1ce59aaca1a9ddf6a33d6.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALeRLdbqgvK88dzezUbZ40-O3UfaGvH9Aybe-eAgBN7vyUpuBY6vS9BifkVojQ-QW0JXS3ldc9scNdJ_NnKisrvj9SaZwTfh5Zeq-JcTTq4tg5aup0bnosb8W1t7IvpHHWHlDAyPsS_agX7vyKAs6P8tgxyVlBclFnhGQ5s0SYhhiNlUOX0gbYGNnOw/s780/1_Key_Visual-High-Res-Variante-2-780x520.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="520" data-original-width="780" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgALeRLdbqgvK88dzezUbZ40-O3UfaGvH9Aybe-eAgBN7vyUpuBY6vS9BifkVojQ-QW0JXS3ldc9scNdJ_NnKisrvj9SaZwTfh5Zeq-JcTTq4tg5aup0bnosb8W1t7IvpHHWHlDAyPsS_agX7vyKAs6P8tgxyVlBclFnhGQ5s0SYhhiNlUOX0gbYGNnOw/w400-h266/1_Key_Visual-High-Res-Variante-2-780x520.png" width="400" /></a></div><div><br /></div><h1 style="text-align: left;">Eccentric 80s: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum, and Contemporary Accomplices</h1><h3 style="text-align: left;">25 March – 21 May 2023<br />Kunsthaus Hamburg</h3><br /><b>An exhibition and publication project by Burcu Dogramaci, Ergül Cengiz, Philipp Gufler, Mareike Schwarz, Angela Stiegler.<br /></b><br />Tabea Blumenschein, Hilka Nordhausen and Rabe perplexum were eccentric artists of the 1980s in a double sense – they deviated from norms and acted outside the centre in the subcultural milieu. Their structurally buried work will be artistically questioned and activated by the contemporary artists Ergül Cengiz (3 Hamburg Women), Philipp Gufler and Angela Stiegler. For the first time, Blumenschein, Nordhausen and perplexum will be shown in one exhibition and in the cities where they worked: Munich (Lothringer 13 Halle), Berlin (Galerie Nord | Kunstverein Tiergarten) and Hamburg (Kunsthaus Hamburg).<br /><br />A German- and English-language publication has been published by <a href="https://www.bbooks.de/verlag/exzentrische-80er" target="_blank">b_books, Berlin</a>, to accompany the exhibition. An extensive programme of events with films, readings, workshops and discussions with contemporary witnesses accompanies the exhibition.<br /><br /><b>24 March 2023</b><div><b>7 pm:</b> Opening<br /><br /><div><div><b>25 March 2023</b></div><div><b>4 pm:</b> Guided Tour</div><div><b>5 pm:</b> Screening & Talk Nicht Mann, nicht Frau, nur Rabe by Rabe perplexum with Philipp Gufler</div></div><div><br /></div><div><br /></div><div><div><a href="https://kunsthaushamburg.de/en/eccentric-80s-tabea-blumenschein-hilka-nordhausen-rape-perplexum-and-contemporary-accomplices/" target="_blank"><b>Kunsthaus Hamburg</b></a></div><div>Klosterwall 15</div><div>20095 Hamburg </div><div><br /></div><div>Opening Hours</div><div>Tuesday – Sunday: 11 am – 6 pm</div></div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUMIXBw80BLrqj7V9E8xSPEYqVwLlxQpv98Z3J6tglbohQ22WFvZ4l0RrIYRwUsyUcNF7f9tQvr8mZIG3kf73Sat8dJ-C7YwKmQEOqitCcmEJeajrjKA20IAKsUbbjCc0t7SEfXNh5n4wY_Ip_eZfNC4JsUaxaWYG2UuWHGNvQL561sO72g02ylJaVnA/s2362/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1575" data-original-width="2362" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUMIXBw80BLrqj7V9E8xSPEYqVwLlxQpv98Z3J6tglbohQ22WFvZ4l0RrIYRwUsyUcNF7f9tQvr8mZIG3kf73Sat8dJ-C7YwKmQEOqitCcmEJeajrjKA20IAKsUbbjCc0t7SEfXNh5n4wY_Ip_eZfNC4JsUaxaWYG2UuWHGNvQL561sO72g02ylJaVnA/s320/5.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0da5ZFbgcuNIArYlUMfA6Fd6w7Auof57lCDAZbguEcdjHKS_MjBF2mKGdz2IctKUVr8b6PO4YSNF41f8YdKzRwymjoJ243UVl49hskD1HOKJTEkZVcrYNKJZIIT219HKMYymKuyyOSstRbafc0T4hRuL97uRrYguuVd0f0Wr56i1Ry1GVSKdIXMCRdw/s2362/8b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1575" data-original-width="2362" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0da5ZFbgcuNIArYlUMfA6Fd6w7Auof57lCDAZbguEcdjHKS_MjBF2mKGdz2IctKUVr8b6PO4YSNF41f8YdKzRwymjoJ243UVl49hskD1HOKJTEkZVcrYNKJZIIT219HKMYymKuyyOSstRbafc0T4hRuL97uRrYguuVd0f0Wr56i1Ry1GVSKdIXMCRdw/s320/8b.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI5Y07LdjJEvGWeG5fJggYPE8OnSPDFphtSZKsbmQaPw5ja6mmgQt4U4ye5pltVLp4OOfVq8XDz0EzY5w8Upp2rZxf10FGcRPOAYGHBSlHx3k93WE8L9IOSDcafs0cAx8FGi43R1aDkl1i2qGMWJFGlNuZWHHE4uSi46_dVmHm9P4WFxUxbM1N2te7Gw/s2362/19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1575" data-original-width="2362" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhI5Y07LdjJEvGWeG5fJggYPE8OnSPDFphtSZKsbmQaPw5ja6mmgQt4U4ye5pltVLp4OOfVq8XDz0EzY5w8Upp2rZxf10FGcRPOAYGHBSlHx3k93WE8L9IOSDcafs0cAx8FGi43R1aDkl1i2qGMWJFGlNuZWHHE4uSi46_dVmHm9P4WFxUxbM1N2te7Gw/s320/19.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtitZjushqRe_COAAFIban06ytcd9Kv2TKWqqcKgNIeRsJDvF-hoQncCIAm96zdgszo7Z1-qoToKdpCvjdicAepxI-m7Sm_0lbGE2R5BdZkenKu8i9GWfF9nJdlTGf3KEMURRhHaBxnD_J0gQzSAe8y4K4QiI2k3EmOpN7Vf_zlnaH5V-RlXINECihA/s2362/20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1575" data-original-width="2362" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLtitZjushqRe_COAAFIban06ytcd9Kv2TKWqqcKgNIeRsJDvF-hoQncCIAm96zdgszo7Z1-qoToKdpCvjdicAepxI-m7Sm_0lbGE2R5BdZkenKu8i9GWfF9nJdlTGf3KEMURRhHaBxnD_J0gQzSAe8y4K4QiI2k3EmOpN7Vf_zlnaH5V-RlXINECihA/s320/20.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyIFtRvNPvwrx8XXQtMiC6qfuudIHDm_tooXt5FAcg3tFG9lnriOn3Ldi1I4aQ2lc-8MF0XSWQWK_KdWFFAX2G3YLevcZrRbZQHzIkN1h3LV9OCtDHH7ZtZ5XaZ9O3K_FsnFbnfYdzwPyqrI4UGoqUceKl99mbiC14jJ3MXg_A_aKXM-Sp0OlPkQzKyQ/s2362/10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1575" data-original-width="2362" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyIFtRvNPvwrx8XXQtMiC6qfuudIHDm_tooXt5FAcg3tFG9lnriOn3Ldi1I4aQ2lc-8MF0XSWQWK_KdWFFAX2G3YLevcZrRbZQHzIkN1h3LV9OCtDHH7ZtZ5XaZ9O3K_FsnFbnfYdzwPyqrI4UGoqUceKl99mbiC14jJ3MXg_A_aKXM-Sp0OlPkQzKyQ/s320/10.jpg" width="320" /></a></div><br /><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-45773545778413540942023-03-04T02:22:00.005-08:002023-03-07T01:25:08.546-08:00Book release of A Shrine To Aphrodite at San Serriffe<p><strong style="font-family: "Helvetica Neue", Helvetica, Arial, Verdana, sans-serif; font-size: 16px;"><span style="font-size: 12px;"></span></strong></p><div class="separator" style="clear: both; text-align: center;"><strong style="font-family: "Helvetica Neue", Helvetica, Arial, Verdana, sans-serif; font-size: 16px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFfexWP9O4-hedqUxrMvSJrf3pqn48n3681lF7DqgvQYCMi-7pM5HLHPweY9nzMb-TESzKX1BT7zDXqA4YgTIq-u-ZoXBYxm8IJWCkDkK9o0CIc6RxfjHeLuNRJrpkB3XbFj8zJ2XgahFrAhcWas768LSn_zLXWCi73-BZGdh6JYtWUa5SC2XunjzYeQ/s1430/9A529F7A-4F58-47C8-841F-98D3EA014A04.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="1128" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFfexWP9O4-hedqUxrMvSJrf3pqn48n3681lF7DqgvQYCMi-7pM5HLHPweY9nzMb-TESzKX1BT7zDXqA4YgTIq-u-ZoXBYxm8IJWCkDkK9o0CIc6RxfjHeLuNRJrpkB3XbFj8zJ2XgahFrAhcWas768LSn_zLXWCi73-BZGdh6JYtWUa5SC2XunjzYeQ/w315-h400/9A529F7A-4F58-47C8-841F-98D3EA014A04.jpeg" width="315" /></a></strong></div><strong style="font-family: "Helvetica Neue", Helvetica, Arial, Verdana, sans-serif; font-size: 16px;"><br /></strong><p style="text-align: left;"></p><h1 style="text-align: left;">Book release of Shrine to Aphrodite at San Serriffe</h1><br />Join us for a celebration of <a href="https://hvm-books.com/publications/a-shrine-to-aphrodite" target="_blank">A Shrine To Aphrodite</a> with an introduction by Sven Lütticken and a reading by Philipp Gufler! The release is taking place on Saturday, 4 March 2023 at 8 p.m. at <a href="https://www.san-serriffe.com/">San Serriffe</a> at Sint Annenstraat 30 in Amsterdam.<p></p><div>'A Shrine to Aphrodite' features texts by Philipp Gufler and Sven Lütticken, photos by Julika Rudelius and is designed by Sabo Day. The publication is published by Hammann von Mier Verlag. Works from Philipp Gufler's series of mirror paintings are on display till the end of the month at San Serriffe. </div><div><br /></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNfWVqVkFhi6_UoFpPnqXEcw6imR9HmazkOkS8BB8JZN499ngadBl7iI0TvFWhSRjtTomK7e6tnSBv8DRcGId8ki4pH0Q3GRu_Y0xk3VomSx3Fyf-FjEmPYnLnnKgh8uGTLzUP4_QaDCSBIwp9-E7ETcgJ5DElhtTYP6MdzoK49wbIyIrJk96cK_D9wQ/s2048/a56a3bf2-7cc9-4154-ad6b-22d5862151df.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNfWVqVkFhi6_UoFpPnqXEcw6imR9HmazkOkS8BB8JZN499ngadBl7iI0TvFWhSRjtTomK7e6tnSBv8DRcGId8ki4pH0Q3GRu_Y0xk3VomSx3Fyf-FjEmPYnLnnKgh8uGTLzUP4_QaDCSBIwp9-E7ETcgJ5DElhtTYP6MdzoK49wbIyIrJk96cK_D9wQ/w150-h200/a56a3bf2-7cc9-4154-ad6b-22d5862151df.jpg" width="150" /></a></div><br /><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-37759727854975636402023-01-15T07:13:00.005-08:002023-03-07T02:14:04.268-08:00Cosy bei Cosy – Ein Fanzine über die Künstlerin Cosy Pièro und ihre Bar Bei Cosy<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBpP4Eots8Rmv4gFRRvbGeheqU1q-tSxnT9a_9ZAsZfeXA4ZFxmGs3JU8KnTNRJWMNwcQZIZ1pIeF3DBJwf0QltYsdp27cJH40lGnO9wqEH0dQ_EXZ6olBEKu7l_4Y38ylu_i3M-vUWw7D4EVKz-RHLozFrmjv_gdUpXrWa2kmEIgsleZOg-1BSnu3zg/s1446/9515268ca0e3ebcc3780305f5ee53928.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1446" data-original-width="1162" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBpP4Eots8Rmv4gFRRvbGeheqU1q-tSxnT9a_9ZAsZfeXA4ZFxmGs3JU8KnTNRJWMNwcQZIZ1pIeF3DBJwf0QltYsdp27cJH40lGnO9wqEH0dQ_EXZ6olBEKu7l_4Y38ylu_i3M-vUWw7D4EVKz-RHLozFrmjv_gdUpXrWa2kmEIgsleZOg-1BSnu3zg/s320/9515268ca0e3ebcc3780305f5ee53928.jpg" width="257" /></a></div><br /><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><b>Cosy bei Cosy</b></div><div class="separator" style="clear: both;"><b>Jan Erbelding, Leo Heinik, Maria VMier, Philipp Gufler, 2023</b></div><div class="separator" style="clear: both;"><b>(Ruine München)</b></div><div class="separator" style="clear: both;"><b><br /></b></div><div class="separator" style="clear: both;"><b>A fanzine about the artist Cosy Pièro and her bar Bei Cosy.</b></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">Cosy Pièro (b. 1937) is a painter, object and installation artist and ran the legendary queer artists' bar Bei Cosy for 20 years, where she performed self-written chansons. She founded Werkstatt Brücke 7, a producer's gallery with studios where artists such as Rabe perplexum and the minimal club collective worked. Most recently, in October 2022, she was awarded the Art Prize of the City of Munich for her life's work.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">Cosy bei Cosy was made by Ruine München's core members Leo Heinik, Jan Erbelding, Maria VMier, in close collaboration with the artist Philipp Gufler, who is a longtime friend of Cosy Pièro.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">This publication was released on January 28, 2023 as an event by Ruine München in collaboration with Philipp Gufler. <a href="https://ruine-muenchen.de" target="_blank">Ruine München</a> is an artist-run space with publication series. Ruine appears about four times a year at different more or less public places. We understand Ruine as a platform for artistic modes of presentation that are not, or to a lesser extent, object-oriented, be it enactment, roleplay, performance or reading. Ruine München thus offers artists working with ephemeral live formats a solo show according to their very own parameters. For each Ruine a publication or edition is produced in a small run, accompanying the fluid format with an enduring element. Ruine is run by Maria VMier, Jan Erbelding and Leo Heinik.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">Editors: Jan Erbelding, Leo Heinik, Maria VMier & Philipp Gufler</div><div class="separator" style="clear: both;">Design: Maria VMier, Jan Erbelding</div><div class="separator" style="clear: both;">Picture editing: Jan Erbelding</div><div class="separator" style="clear: both;">Text: Ruine München</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">72 pages, 4c indigo digital print, thread stitching, softcover, print run 150, 17 x 24 cm</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">ISBN: 978-3-947250-52</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><a href="https://hvm-books.com/publications/cosy-bei-cosy" target="_blank">Order here!</a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgheVO76oWqsbIgvx0wmriIM2tfVtuubBg_OrP1tuoj6XoENQ0HgtYihT4GOlxP8_vUEOeqZcEDJ3DOcOwVB25-9tXtda3UMtVS603T6fCWPeAFLsIh7rnbg1bMLEP_ltm11DHb4tBBsBh0kqkTAVPsAus9r2TDAD0cA6Ri_rEN4W7eQAQXiLTyd_BWKQ/s1389/fb4cc131fc3c71a39a64eb234879796f.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1389" data-original-width="1042" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgheVO76oWqsbIgvx0wmriIM2tfVtuubBg_OrP1tuoj6XoENQ0HgtYihT4GOlxP8_vUEOeqZcEDJ3DOcOwVB25-9tXtda3UMtVS603T6fCWPeAFLsIh7rnbg1bMLEP_ltm11DHb4tBBsBh0kqkTAVPsAus9r2TDAD0cA6Ri_rEN4W7eQAQXiLTyd_BWKQ/s320/fb4cc131fc3c71a39a64eb234879796f.jpg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;">++++++++++</div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtyP-xujkWYF0crlUnlCuZf8o2s5-P8LXk1D34zvEwhwV5Iyz_2aLCksct5I5gQ63r5oESbuy-LxR9I2foxsAZWjVzmI_zJpEvfs7KhlsUEjTMW6Ch6xPOFn4-n_T6eWziiZgoARIaQ3n__WOLMfc04FyQKRuSU5Tsrdn2gVafYOPa7qmQJTgj97odYQ/s1200/325468868_1300179404164737_2768439125716868694_n.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="1200" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtyP-xujkWYF0crlUnlCuZf8o2s5-P8LXk1D34zvEwhwV5Iyz_2aLCksct5I5gQ63r5oESbuy-LxR9I2foxsAZWjVzmI_zJpEvfs7KhlsUEjTMW6Ch6xPOFn4-n_T6eWziiZgoARIaQ3n__WOLMfc04FyQKRuSU5Tsrdn2gVafYOPa7qmQJTgj97odYQ/w640-h366/325468868_1300179404164737_2768439125716868694_n.jpeg" width="640" /></a></div><br /><div>Herzliche Einladung zur Veröffentlichungsfeier von</div><b>Cosy bei Cosy – Ein Fanzine über die Künstlerin Cosy Pièro und ihre Bar Bei Cosy<br /></b><div><br />Zur Veröffentlichung von <i>Cosy bei Cosy</i> am 28. Januar 2023 findet um 18.30 Uhr ein Screening des Fernsehportraits über Cosy Pièro aus der Reihe „Frauengeschichten“ (1985, Regie: Gabriele von Arnim) mit einer kurzen performativen Lesung von Philipp Gufler im Werkstattkino statt. Im Anschluss wird die Publikation mit Getränken im LeZ – Lesbisch-Queeres Zentrum präsentiert.</div><div><br /><b>18.30 Uhr, Screening „Frauengeschichten“ und performative Lesung von Philipp Gufler</b><br />im Werkstattkino (Fraunhoferstraße 9)<br />Da die Plätze im Kino begrenzt sind, bitten wir um verbindliche Voranmeldung unter <a href="mailto:mail@ruine-muenchen.de" target="_blank">mail@ruine-muenchen.de</a><br /><br /><b>20 – 22 Uhr, Release der Publikation</b><br />im LeZ – Lesbisch-Queeres Zentrum (Müllerstraße 26)<br />(Ohne Anmeldung)</div><div><br /><span style="font-size: x-small;">Mit freundlicher Unterstützung durch das Forum Queeres Archiv München e.V. – LesBiSchwulTransInter* in Geschichte und Kultur, das Deutsche Ledermuseum, den Bayerischen Rundfunk, das Werkstattkino, das LeZ – Lesbisch-Queeres Zentrum München, sowie den Bezirksausschuss 2 (Ludwigsvorstadt und Isarvorstadt) der Landeshauptstadt München.</span></div><div><span style="font-size: x-small;"><br /></span></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5DUuuAzEcaj57YSDw6x6fmZ2gwaYEOOTg5TcqLlT8R_Fix0QL0OJpPD_4bLaTVO_N7TWSoD14arKY_nDBDY5hN3A3AA-sDx-03YdM95gwX4aCQOJIksECHWCmqfXK3wxzfeLAv1HUomwrxysBExNtxRS7PELvswgyQVDh7xqox6ZUbDGRqJ4HVS56w/s4032/image00003.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_5DUuuAzEcaj57YSDw6x6fmZ2gwaYEOOTg5TcqLlT8R_Fix0QL0OJpPD_4bLaTVO_N7TWSoD14arKY_nDBDY5hN3A3AA-sDx-03YdM95gwX4aCQOJIksECHWCmqfXK3wxzfeLAv1HUomwrxysBExNtxRS7PELvswgyQVDh7xqox6ZUbDGRqJ4HVS56w/s320/image00003.jpeg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHGLrpjdi8giy4D5ztUm1JjCjNc3Mz8R2M9GcTfGhaQp-U2xqiNBfKFVxFclwTAaxaDD_lLJis9wkBiztHRr-tu7EvELgipkc6aNRZwmW-hkrKopqbPxsroeOEfg6h3p-4A_l5gs5FxQv60rf-Q-0af2DS-hBrM3SSuXyKTlK-lGDUyrOzsrbzEa7uMA/s4032/image00010.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHGLrpjdi8giy4D5ztUm1JjCjNc3Mz8R2M9GcTfGhaQp-U2xqiNBfKFVxFclwTAaxaDD_lLJis9wkBiztHRr-tu7EvELgipkc6aNRZwmW-hkrKopqbPxsroeOEfg6h3p-4A_l5gs5FxQv60rf-Q-0af2DS-hBrM3SSuXyKTlK-lGDUyrOzsrbzEa7uMA/s320/image00010.jpeg" width="240" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5CMp4k1cMUCTTMpbsNV63LFyon6jm1slGU2YM1J6ccGorjcR0kegAjPa1KajoCcUrqiuzR9AWT0jgXyUdr8FAO1m3KmPk-cq0LBue2x9LLGxClBHt3SP7rILuMtFrfEpIlOZFmeKA0udAh8luT566M5rQ9KQBMui7p5zycp5LiPlKzb_QuZjKNF2DQ/s4032/image00012.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjY5CMp4k1cMUCTTMpbsNV63LFyon6jm1slGU2YM1J6ccGorjcR0kegAjPa1KajoCcUrqiuzR9AWT0jgXyUdr8FAO1m3KmPk-cq0LBue2x9LLGxClBHt3SP7rILuMtFrfEpIlOZFmeKA0udAh8luT566M5rQ9KQBMui7p5zycp5LiPlKzb_QuZjKNF2DQ/s320/image00012.jpeg" width="240" /></a></div><br /><span style="font-size: x-small;"><br /></span></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-40682082544409508262023-01-14T05:59:00.000-08:002023-04-27T11:10:17.186-07:00To Be Seen<p><b>TO BE SEEN. queer lives 19OO–195O</b></p><p>Oct. 7, 2022 until May 21, 2023</p><p>Opening on Oct. 6, 2022 at 5 p.m.<br />with opening remarks by Mirjam Madoff, Claudia Roth, Katrin Habenschaden, Anton Biebl and Philipp Gufler </p><p><br /></p><p><i>TO BE SEEN is an exhibition devoted to the stories of LGBTQI+ in Germany in the first half of the twentieth century. Through historical testimony and artistic positions from then and now, it traces queer lives and networks, the areas of freedom enjoyed by LGBTQI+, and the persecution they suffered.</i></p><p><i>The exhibition takes an intimate look at a variety of genders, bodies, and identities. It shows how queer life became ever more visible during the 1920s, giving rise to a more open treatment of role models and of desire. During this period, homosexual, trans, and non-binary people achieved their first successes in their fight for equal rights and social acceptance. They organized, fought for scientific and legal recognition of their gender identity, and carved out their own spaces.</i></p><p><i>But as recognition and visibility in art and culture, science, politics, and society increased, so did resistance. After the Nazis came to power, the LGBTQI+ subculture was largely destroyed. After 1945, their stories and fates were scarcely archived or remembered. </i></p><p><br /></p><p>Artists: Katharina Aigner, Maximiliane Baumgartner, Pauline Boudry & Renate Lorenz, Claude Cahun, Zackary Drucker & Marval Rex, El Palomar, Nicholas Grafia, Philipp Gufler, Richard Grune, Lena Rosa Händle, Hannah Höch, Paul Hoecker, Nina Jirsíková, Germaine Krull, Elisar von Kupffer, Zoltán Lesi & Ricardo Portilho, Herbert List, Heinz Loew, Jeanne Mammen, Michaela Melián, Henrik Olesen, Emil Orlik, Max Peiffer Watenphul, Jonathan Penca, Lil Picard, Karol Radziszewski, Alexander Sacharoff, Gertrude Sandmann, Christian Schad, Renée Sintenis, Mikołaj Sobczak, Wolfgang Tillmans and others.</p><p><br /></p><p><b><a href="https://www.nsdoku.de/en/tobeseen" target="_blank">Munich Documentations Center for the History of National Socialism</a></b><br />Max-Mannheimer-Platz 1 | 80333 Munich<br />Tuesday to Sunday from 10am to 7pm</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltk2RgKQ-06guAVgMQXWp4j_VMkaFdMCKXlQanDnT4sVs48RFP6G5SD6s2GwiASaqsdhI4uimEWwWzrnib5Fdru8LQUcvjcNpcTmuzKEhChPIY7uh2G_Kc6omvJVRuU4uVfduHnCZrdQrFfxQ8Rd5Tn0gIL-0bIrUn76xkbmu1Fa0Lly3hChZmEI-Wg/s1417/NSD_TO_BE_SEEN_Gufler_4_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="1417" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltk2RgKQ-06guAVgMQXWp4j_VMkaFdMCKXlQanDnT4sVs48RFP6G5SD6s2GwiASaqsdhI4uimEWwWzrnib5Fdru8LQUcvjcNpcTmuzKEhChPIY7uh2G_Kc6omvJVRuU4uVfduHnCZrdQrFfxQ8Rd5Tn0gIL-0bIrUn76xkbmu1Fa0Lly3hChZmEI-Wg/s320/NSD_TO_BE_SEEN_Gufler_4_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyDB5Pi98QW9fqLWLYnI6itch2MlS4vmYsZ-d33h9HKP5uByjC4B09dzH-edKPXKFR1UDaxyy-k0AAb57dBUhVTrxPZAy--nSMN7U3zuWvrh9eXuCo7-rNCH8h-rhcXhIzItxBbW9RRcWRs_-i5GNr2Ea2J-OJzhQ4eDKqo_ZXWoRAruPTLqLtpGP6Qg/s1417/NSD_TO_BE_SEEN_Gufler_6_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="1417" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyDB5Pi98QW9fqLWLYnI6itch2MlS4vmYsZ-d33h9HKP5uByjC4B09dzH-edKPXKFR1UDaxyy-k0AAb57dBUhVTrxPZAy--nSMN7U3zuWvrh9eXuCo7-rNCH8h-rhcXhIzItxBbW9RRcWRs_-i5GNr2Ea2J-OJzhQ4eDKqo_ZXWoRAruPTLqLtpGP6Qg/s320/NSD_TO_BE_SEEN_Gufler_6_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPl59KUF0xspIvTW5MhxHxzYDE-kF3o7IyLhzt1drHEjT3rMf2JazS52UPtyJjjSIDBuCYrD5Yf1VU8erzo0_NzeCkHN7Mo5Yz7I2Temp11xD0NxzwqSKLpzn2YE7GNrQL3KYZKcZWODbGOO9EdHFdtjV8yacXyFSuWGsKnDic3nPGtFBqvrjR3WhuWg/s1417/NSD_TO_BE_SEEN_Gufler_7_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="945" data-original-width="1417" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPl59KUF0xspIvTW5MhxHxzYDE-kF3o7IyLhzt1drHEjT3rMf2JazS52UPtyJjjSIDBuCYrD5Yf1VU8erzo0_NzeCkHN7Mo5Yz7I2Temp11xD0NxzwqSKLpzn2YE7GNrQL3KYZKcZWODbGOO9EdHFdtjV8yacXyFSuWGsKnDic3nPGtFBqvrjR3WhuWg/s320/NSD_TO_BE_SEEN_Gufler_7_klein.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKiWAXSMNRFs5odSmrTSAUS6UhPy2YGaWPd5ryNyWtCG-FZ6Y5c1WTi57zohgSRQX8HaJC_hxA97Vx5Xc_UxUjvzKrFiR6qeFPHrUtI9e5VTi-ICw1ejFtnqefWNldevrXpvbC7R1ykXKP3XZ3Lmmr916RW-bMMHyIpxCHO_G_S5eAJVyTK7wfqEdsPA/s1575/NSD_TO_BE_SEEN_Gufler_9_klein.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1575" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKiWAXSMNRFs5odSmrTSAUS6UhPy2YGaWPd5ryNyWtCG-FZ6Y5c1WTi57zohgSRQX8HaJC_hxA97Vx5Xc_UxUjvzKrFiR6qeFPHrUtI9e5VTi-ICw1ejFtnqefWNldevrXpvbC7R1ykXKP3XZ3Lmmr916RW-bMMHyIpxCHO_G_S5eAJVyTK7wfqEdsPA/s320/NSD_TO_BE_SEEN_Gufler_9_klein.jpg" width="320" /></a></div><br /><p><span style="font-size: xx-small;">NS-Dokumentationszentrum München/Foto: Connolly Weber Photography</span></p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-90982119927385085332022-12-15T03:16:00.000-08:002023-03-07T01:58:22.892-08:00Talk mit Hana Corrales und Philipp Gufler<div>Wer war Lana Kaiser? Ein Popstar? Ein Phantom? Geboren als Daniel Küblböck und unter tragischen Umständen verschwunden, ist Lana Kaiser heimlicher Lieblingsstar der deutschen Trans-Szene. Ein Fan-Gepräch über die queere Ikone.</div><br />Lana Kaiser hatte sich zuletzt als ‚Künstlerin, Schauspielerin, Transsexuell‘ bezeichnet und kurz vor ihrem Verschwinden auf Facebook angekündigt, sich zur Frau operieren zu lassen. <br /><br />Seit langem ist sie Identifikationsfigur und heimlicher Lieblingsstar der deutschen Trans-Szene. "Sie war die erste, die als Transfrau in den Charts vertreten war, mit einem Nummer-Eins-Hit!", sagt Hana Corrales, und Philipp Gufler: "Sie war queer, bevor ‚queer‘ im deutschen Sprachgebrauch überhaupt verwendet wurde!" <br /><br />Der Münchner Künstler Philipp Gufler und die Berliner Musikerin und Trans-Aktivistin Hana Corrales unterhalten sich im Münchner Milla Club über Lana Kaiser, ihre Rolle in den Medien und der öffentlichen Wahrnehmung, über die Bedeutung ihrer Biografie für die Trans-Szene sowie die Wirkung auf Leben und Arbeit der beiden Künstler*innen. <div><br /></div><div>Das Gespräch vom BR und ARD Kultur ist bis zum 11.11.2023 in der <a href="https://www.ardmediathek.de/video/Y3JpZDovL2JyLmRlL3ZpZGVvL2Y4YzRiMmI0LThiNzYtNDJkNi1iYzMyLWEyOGFmMWExYWEzMg" target="_blank">ARD Mediathek</a> zu finden. </div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-51113044980314889722022-12-01T05:09:00.003-08:002022-12-01T05:09:54.912-08:00Exzentrische 80er: Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum und Kompliz*innen aus dem Jetzt im Kunstverein Tiergarten <p><br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOrmZvBXRgoyIwMXRsdtu_V4tK2-P0ln5yX46wW6DjYM1pAGpVs8FuLswRoXcoFWE0QfiPFzQABFz_iqYrWB_HkLv5OvA4GZ2njlQqxQF5uUhHC9HKiHj-94wT8x4eOgRMZS0lme4V7Gq6hF8A87ib5GmnR_0LB1G_CSJ213R3UQl9Et-3g6g67rT9tg/s1500/2022-08_BB-9699C780-A623-4644-A70C-C3ED2F40336D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="1500" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOrmZvBXRgoyIwMXRsdtu_V4tK2-P0ln5yX46wW6DjYM1pAGpVs8FuLswRoXcoFWE0QfiPFzQABFz_iqYrWB_HkLv5OvA4GZ2njlQqxQF5uUhHC9HKiHj-94wT8x4eOgRMZS0lme4V7Gq6hF8A87ib5GmnR_0LB1G_CSJ213R3UQl9Et-3g6g67rT9tg/s320/2022-08_BB-9699C780-A623-4644-A70C-C3ED2F40336D.jpg" width="320" /></a></div><br /><b>VOICE:over V</b><p></p><p><b>14. 12. 2022 – 4. 2. 2023</b></p><p><b>Eröffnung: Mi 14. Dezember, 19 Uhr</b></p><p>Das Ausstellungs- und Publikationsprojekt präsentiert marginalisierte Stimmen der Kunst aus den 80er Jahren der BRD und verbindet historische und aktuelle Formen von Subkultur, Queerness, performativen und kollaborativen Arbeitsweisen.</p><p><b>Tabea Blumenschein</b> (1952−2020), <b>Hilka Nordhausen</b> (1949−1993) und <b>Rabe perplexum</b> (1956−1996) waren exzentrische Stimmen der 80er Jahre. Abweichend von Normen agierten die drei Künstler:innen in Berlin, Hamburg und München. Sie lebten sexuelle Orientierungen nonkonform und repräsentierten nicht-anerkannte Geschlechts- und Identitätsbilder. Ihre Kunst überschritt die Grenzen von Genres und äußerte sich in kollaborativen Arbeitsweisen und flüchtigen Formen. Tabea Blumenschein wirkte als Performerin, entwarf Kostüme für Film und Theater und schuf Zeichnungen und Gemälde. Die Malerin und Schriftstellerin Hilka Nordhausen gründete in Hamburg den legendären Off-Space Buch Handlung Welt, der Kunstraum, Buchladen und soziale Kontaktzone war. Rabe perplexum malte und zeichnete, realisierte kollaborative Aktionen und war eine:r der frühen Videokünstler:innen.</p><p>Erstmals werden ihre Werke gemeinsam in den Städten gezeigt, in denen sie lebten und arbeiteten. Die zeitgenössischen Künstler:innen <b>Ergül Cengiz (3 Hamburger Frauen)</b>, <b>Philipp Gufler</b> und <b>Angela Stiegler</b> haben dafür gemeinsam mit den Kunsthistorikerinnen <b>Burcu Dogramaci</b> und <b>Mareike Schwarz</b> eine Szenografie aus Bildern, Videos, Dokumenten, Texten und eigenen aktuellen Arbeiten geschaffen. So entstand im Austausch mit Zeitgenoss:innen ein audiovisueller Resonanzraum, der vielstimmige Einblicke in die subkulturellen Szenen der achtziger Jahre bietet und sie für das Heute reflektiert.</p><p>Kuratiert von Ergül Cengiz, Burcu Dogramaci, Philipp Gufler, Mareike Schwarz und Angela Stiegler</p><p><span style="font-size: x-small;">Ausstellung und <a href="https://www.bbooks.de/verlag/exzentrische-80er" target="_blank">Katalog</a> werden gefördert durch: Spartenoffene Förderung und bezirkliche Förderfonds der Berliner Senatsverwaltung für Kultur und Europa, Bayerisches Staatsministerium für Wissenschaft und Kunst, Kulturreferat der Landeshauptstadt München, Prinzessin Therese von Bayern-Stiftung, Erwin und Gisela von Steiner-Stiftung, Kulturstiftung der Stadtsparkasse München, Liebelt-Stiftung Hamburg, Bundesprogramm „Neustart Kultur“ der Stiftung Kunstfonds, Studio Ulrike Ottinger: Reinhild Feldhaus und Sarah Polligkeit, die Stiftung IMAI – Inter Media Art Institute, Düsseldorf, Monacensia im Hildebrandhaus, München.</span></p><p><a href="https://kunstverein-tiergarten.de/" target="_blank"><b>Galerie Nord | Kunstverein Tiergarten</b></a><br />Turmstraße 75 – 10551 Berlin<br />Dienstag – Samstag: 12 – 19 Uhr<br />Eintritt frei</p>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-43012207212273228302022-11-25T03:28:00.012-08:002023-01-09T06:55:20.601-08:00Unterwerfungen<br /><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidkmbbbF2gA0jx5mkXTITGWOMuA-0kLKU1dteCKqNrKsLHH1CK6-nNP07zlBX-_aCcNaCrSE0RaovTLkLKMH1oaFBt96Q8hlpDCFsBNBiKMu5QaSWrUrdBDelGyoZzVo9RvWnZbPSLXEcBLTkQrIT7rP_7i93mp8gYRI1GiyStknLfaDoEtJN3oZiDlg/s915/504764_6887066a31e2b61362dd44269223d47b.jpg,915.jpeg"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidkmbbbF2gA0jx5mkXTITGWOMuA-0kLKU1dteCKqNrKsLHH1CK6-nNP07zlBX-_aCcNaCrSE0RaovTLkLKMH1oaFBt96Q8hlpDCFsBNBiKMu5QaSWrUrdBDelGyoZzVo9RvWnZbPSLXEcBLTkQrIT7rP_7i93mp8gYRI1GiyStknLfaDoEtJN3oZiDlg/s320/504764_6887066a31e2b61362dd44269223d47b.jpg,915.jpeg" /></a></div><br /><br /><div style="text-align: center;"><b>December 8, 2022–January 29, 2023 </b></div><br /><br /><a href="http://kunstraum.leuphana.de " target="_blank"><b>Kunstraum, Leuphana University Lüneburg<br /></b></a>Lüneburg<br />Germany <br /><br />Kunstraum of the Leuphana University Lüneburg is delighted to announce the opening of <b>Philipp Gufler</b>´s solo exhibition <i>Unterwerfungen</i>. Bringing together old and new works and structured by Gufler’s ongoing collaboration with the self-organized <b>Forum Queeres Archiv München</b>, Unterwerfungen tracks the various ways in which Gufler stages archival material, resisting the heteronormative capture of a resistant past. <br /><br />The installation <i>I Wanna Give You Devotion</i> consists of six textile walls, covered with over 130 posters from the archive of the Forum. The tender and temporary architecture houses an “archive of feelings” (Ann Cvetkovich) that registers the affective dimensions of documenting and recording queer cultures. Tethered to a heterotopic idea of the public, these posters communicate and conspire, leaving tracks of queer desire and life as well as ongoing struggles. With each presentation, Gufler has asked fellow friends and collaborators to make new posters in response to the Forum collection. At Kunstraum, we are presenting new posters by <b>Cheap Collective</b> and <b>Sunil Gupta</b>. A publication, produced in collaboration with students from the Leuphana University Lüneburg, will be on display and may be picked up free of charge. The publication brings together the students´ individual and collective research into a selection of posters also shown in the installation. <br /><br />Inside the installation, the 34-minute film <i>Projection on the Crisis (Gauweilereien in Munich)</i> is screened. Juxtaposing archival material from the Forum with artworks by friends and collaborators of Gufler, the video threads together stories of homophobia and queer resistance, with a particular focus on Peter Gauweiler’s homophobic policies at the height of the AIDS crisis in Bavaria. Loosely organized around a timeline, the camera's almost uninterrupted tracking shot of the documents and artworks furthers the illusion of a progressive linearity, one that is revealed to be as much a function of a historical gaze, as an effect of technological dispositifs. A careful exploration of the synthetic nature of “historical fictions” (Saidiya Hartman), the film articulates an emancipatory potential of making history.<br /><br />As part of his ongoing <i>Quilt</i> series, Gufler has collaborated with the artist <b>Eli Hill</b> to produce for the exhibition his newest quilt, dealing with the legacy and memory of the philanthropist <b>Reed Erickson</b> (1917–92), one of the first trans men to undergo gender-confirming surgery in the US, who systematically supported trans health care initiatives and members of the transgender community.<br /><br /><b>Philipp Gufler</b> is an artist based in Munich and Amsterdam. He spans various media in his practice, including silkscreen prints on fabric and mirrors, artist books, performances, and video installations. Gufler is a member of the Forum Queeres Archiv München since 2013 and has participated in artist residencies at De Ateliers, Amsterdam; Skowhegan School of Painting & Sculpture, Maine; and Delfina Foundation, London. Artist books include <i>Projection on the Crisis</i> (2014/2021), <i>I Wanna Give You Devotion</i> (2017), <i>Indirect Contact</i> (2017), <i>Quilt #01–#30</i> (2020), <i>Lana Kaiser</i> (2020), <i>A Shrine to Aphrodite</i> (2023) and <i>Cosy bei Cosy</i> (2023).<br /><br /><br /><b>Exhibition opening:</b> December 7, no prior registration required.<br /><b>Lecture performance:</b> December 7, 7–8pm, Susanne Sachsse (Cheap Collective) presents Well, a fresh breeze with words and gestures.<br /><b>Screening:</b> December 8, 6–9pm, with films by Philipp Gufler, Liane Klingler, Zoe Leonard and Catherine Saalfield.<br /><b>Presentation and conversation with Sunil Gupta:</b> January 24, 6–8pm.<div><b>Guided Tour with Philipp Gufler:</b> January 25, 4 pm<br /><b>Panel discussion on the "Hirschfeld Renaissance" and Trans Fabulations:</b> January 25, 7–9pm, with Leah Tigers, Dean Erdmann, Maxi Wallenhorst, Raimund Wolfert, et al.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_HbYmCXrbxhbG9ViP_6IA4S2jO1uh4m8a5PJW6yNpXhRSHGFgf1GXHi2by5FnX3jF7Hc7QuUKUd9HVj8Wvc2FqX8wHxG9H4yKaLodqO4Rg-AIKv2_zHGRSNSi2m2U-jZ5sgTRsWuKGrcV60Zn8MZUyClLKd2g_91x0NxiIoWFKWd9pToUtv-kVzizFQ/s1200/unterwerfungen-aussen-1200x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_HbYmCXrbxhbG9ViP_6IA4S2jO1uh4m8a5PJW6yNpXhRSHGFgf1GXHi2by5FnX3jF7Hc7QuUKUd9HVj8Wvc2FqX8wHxG9H4yKaLodqO4Rg-AIKv2_zHGRSNSi2m2U-jZ5sgTRsWuKGrcV60Zn8MZUyClLKd2g_91x0NxiIoWFKWd9pToUtv-kVzizFQ/s320/unterwerfungen-aussen-1200x.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXgWj_r-LQsobXJtOcM3Sqh5Fz6xgJUgMMrWNir7qbFr8aiGuiDWnhDnk6yrXKapZecEdZdPl9vunDVZRVKMoeAzbm5XXG7xela2OE0O8vV45hr_NqHGw4A_1LYOieMid40xV4bdMhYMGeppPv3VMNU3Fvd014hKF16bNf8Ix5xkYMx38uCpoP8wQYbA/s1200/unterwerfungen-installation-1200x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXgWj_r-LQsobXJtOcM3Sqh5Fz6xgJUgMMrWNir7qbFr8aiGuiDWnhDnk6yrXKapZecEdZdPl9vunDVZRVKMoeAzbm5XXG7xela2OE0O8vV45hr_NqHGw4A_1LYOieMid40xV4bdMhYMGeppPv3VMNU3Fvd014hKF16bNf8Ix5xkYMx38uCpoP8wQYbA/s320/unterwerfungen-installation-1200x.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkvf8cdTaajxrdZJKykbiyrJd5gnJXdtMJpXsFvE-HLd__tnmHuNpQN1NoXC8Fkxr_EaUXg7a0Rx7J2Vjc65rEpqNcBj8sT8swHxnGaJbU9gxS56t7cqlIII1wGYXkedRhPuRMbh49nQq9alzDkMJFlzO9VF7NnV6PSWGXTfk4nRdi_H3xXO7Qij05Qw/s1200/unterwerfungen-lesetisch-1200x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkvf8cdTaajxrdZJKykbiyrJd5gnJXdtMJpXsFvE-HLd__tnmHuNpQN1NoXC8Fkxr_EaUXg7a0Rx7J2Vjc65rEpqNcBj8sT8swHxnGaJbU9gxS56t7cqlIII1wGYXkedRhPuRMbh49nQq9alzDkMJFlzO9VF7NnV6PSWGXTfk4nRdi_H3xXO7Qij05Qw/s320/unterwerfungen-lesetisch-1200x.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQBPnuhNH76nxkinYes0edu9PPvfdjAIx_zfofx5KRNw_5IuiY40xkYK5DvkqFuCEJ_K8RXBdHrIQ-aRTgYAFuhhxP6DKfe6TNGkZMn55T_rcr3tYnA7H7WBoHQIPgVrPcNdimEKB10FDVOO6XDez5e0Y_JL2jSgg565o6LF-rYKQEAdywG-a65x8O_w/s1200/unterwerfungen-screen-1200x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQBPnuhNH76nxkinYes0edu9PPvfdjAIx_zfofx5KRNw_5IuiY40xkYK5DvkqFuCEJ_K8RXBdHrIQ-aRTgYAFuhhxP6DKfe6TNGkZMn55T_rcr3tYnA7H7WBoHQIPgVrPcNdimEKB10FDVOO6XDez5e0Y_JL2jSgg565o6LF-rYKQEAdywG-a65x8O_w/s320/unterwerfungen-screen-1200x.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyYYmXbwOkOW3melpnQ-tjnCkw3PbXQwiplOzLJ9tAnA8LLU6VNRAgYVB9SnYKCbYw4iz5RP3XeOuIU0R_cEtNhE02P8VzESFvY58avoUEOy2gtM-e7ueSNkcoPOM7UkZPPE7zlP9F6WRY3oIdLWvvfbTcjAuqE3f_e5u9fCxfV02bGew7_4nXS60lHw/s1200/unterwerfungen-zine-1200x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyYYmXbwOkOW3melpnQ-tjnCkw3PbXQwiplOzLJ9tAnA8LLU6VNRAgYVB9SnYKCbYw4iz5RP3XeOuIU0R_cEtNhE02P8VzESFvY58avoUEOy2gtM-e7ueSNkcoPOM7UkZPPE7zlP9F6WRY3oIdLWvvfbTcjAuqE3f_e5u9fCxfV02bGew7_4nXS60lHw/s320/unterwerfungen-zine-1200x.jpg" width="320" /></a></div><br /><div><span style="font-size: xx-small;">Fotos: Fred Dott</span></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-22140337655187875802022-10-27T07:29:00.002-07:002023-01-09T07:01:38.569-08:00MIT DER TÜR INS HAUS FALLEN<h3 style="text-align: left;">NEUERWERBUNGEN DER SAMMLUNG DES BUNDES</h3><div><b>11. November 2022 bis 12. Februar 2023</b></div><div><br /></div><div>Die Ausstellung versammelt rund 50 Werke der Neuerwerbungen der Sammlung des Bundes. Die ausgewählten Arbeiten wurden in den letzten fünf Jahren angekauft und ermöglichen einen Überblick über das zeitgenössische Kunstgeschehen in Deutschland. Sie kreisen um Themen wie Kriegs- und Nachkriegszeit, Wiedervereinigung, Migration und Identität, Europa, Rassismus und Freiheit.</div><div><br /></div><div><br /></div><div><br /></div><div><div><br /></div><div><b>GESPRÄCH DO 19.01.2023, 19 UHR</b></div><h3 style="text-align: left;">QUEERE QUILTS UND ALTERNATIVE ARCHIVE</h3><div>DER KÜNSTLER PHILIPP GUFLER IM GESPRÄCH MIT MARIAN WILD</div><div>Das Gespräch dringt ein in die Idee einer queeren Kultur- und Kunstgeschichte, in Philipp Guflers künstlerischen Ansatz und aktuelle gesellschaftliche Fragen zu Kultur, Politik und (queerer) Identität.</div><div>Eintritt: 4 Euro.</div></div><div><br /></div><div><br /></div><div><div><a href="https://www.nmn.de/de/" target="_blank"><b>NEUES MUSEUM</b></a></div><div>Staatliches Museum für Kunst und Design Nürnberg</div><div>Klarissenplatz</div><div><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnodUk3CNqxabSzRAFkrkdPGAJW_dDyVjk_OaQT6oLVCf6GqFr7KjO91Sh2BIg4OhYUtVLA1sP2YxyMWXx7-7pWpaVY_M03J55iZ6K8etTKIxMrE3Csv0dNnCJht_coY7W_j0hpmVqMV0IKY-OZO-W9e_B1J8RM7RFKkj_2_HZXEJ2u0N8o-MfufK6dg/s2480/NMN_030.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1653" data-original-width="2480" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnodUk3CNqxabSzRAFkrkdPGAJW_dDyVjk_OaQT6oLVCf6GqFr7KjO91Sh2BIg4OhYUtVLA1sP2YxyMWXx7-7pWpaVY_M03J55iZ6K8etTKIxMrE3Csv0dNnCJht_coY7W_j0hpmVqMV0IKY-OZO-W9e_B1J8RM7RFKkj_2_HZXEJ2u0N8o-MfufK6dg/s320/NMN_030.jpg" width="320" /></a></div><br /><div><span style="font-size: xx-small;">Foto: Neues Museum (Annette Kradisch)</span></div><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-20944974058466886092022-10-26T01:52:00.004-07:002022-11-15T04:43:22.151-08:00Kunstpreis der Landeshauptstadt München an Cosy Pièro<div>+++ <a href="https://forummuenchen.org/en/blog/2022/11/09/art-award-of-the-city-of-munich-to-cosy-piero/" target="_blank">English version on the website of the Forum Queeres Archiv München</a> +++</div><div><br /></div>Liebe Gäste der Feiergesellschaft,<br />Liebe Cosy Pièro,<br /><br />Ich freue ich heute ganz besonders als Künstler die Laudatio für den Kunstpreis der Landeshauptstadt München für das Lebenswerk von Cosy Pièro zu halten. <br /><br />Von Cosy Pièro habe ich zuerst durch meine künstlerische Recherche am selbstorganisierten <a href="https://forummuenchen.org" target="_blank">Forum Queeres Archiv München</a> gehört, an dem ich seit 2013 zu queerer Geschichte forsche. Sofort war ich von ihrem Werk fasziniert und hörte im Forum in Zeitzeuginnen-Gesprächen von ihrer beeindruckenden Lebensgeschichte: Cosy Pièro wurde 1937 in Köln geboren. Ihr Urururgroßvater war der flämische Freiheitsdichter Hendrik Conscience, ihr Vater, der 1941 verstarb, arbeitete als Schauspieler und Kabarettist, ihre Mutter als Model und Tänzerin. Nach verschiedenen Wohnsitzen mit ihren Eltern in Prag und Österreich besuchte Cosy die Volksschule in Köln. Bereits als 14-jährige ging Cosy von zu Hause weg und entschied sich, Kunst zu studieren; Eine besondere Entscheidung als junge Frau in den 1950er Jahren, an der sich bereits ihre außergewöhnliche Unabhängigkeit, ihr Freiheitsdrang und ihre Selbstständigkeit erkennen lässt. Sie hatte Erfolg und studierte von 1952 bis 1957 Malerei und Keramik an der Kunstgewerbeschule in Köln, an der Königlich-Belgischen Akademie in Brüssel und der Picasso-Schülerwerkstatt in Vallauris in Südfrankreich. <br /><br />In Südfrankreich lebte Cosy Pièro mit dem Formel-1-Rennfahrer Jean Pitont zusammen. Bereits während der Beziehung mit ihrem toleranten Partner führte Cosy wieder Beziehungen mit Frauen. Als sie ihr drittes Kind erwartete, verunglückte Jean Pitont in Cannes tödlich auf der Rennstrecke. Daraufhin zog sie zurück nach Deutschland und lebte fortan als alleinerziehende Mutter mit ihrem Sohn Jean-Pierre in München. Um ihren Lebensunterhalt zu bestreiten gründete Cosy 1962 die legendären Künstler*innen-Bar „Bei Cosy“. Sie wollte nie eine lesbische Frauenbar eröffnen, sondern ein Lokal: „in dem sich alle Existenzen mischten, sich miteinander wohlfühlten, sich kennenlernten und gegenseitig tolerierten. Das war zunächst einmal etwas Neues.“<span style="font-size: xx-small;">1</span> Alle zwei Monate fand ein großes Fest statt, bei denen sich alle zum jeweiligen Thema verkleideten und bereits Drag Queens und Kings performten. Damit auch die Sonntagabende gut gefüllt waren, komponierte Cosy die Chansonlieder „<a href="https://vimeo.com/519886692" target="_blank">Babettchen</a>“, „<a href="https://vimeo.com/519888313" target="_blank">Haben Sie das auch?</a>“, „<a href="https://vimeo.com/519892223" target="_blank">Raunz nicht</a>“, „<a href="https://vimeo.com/519898821" target="_blank">Warum soll eine Frau kein Verhältnis haben?</a>“ und „<a href="https://vimeo.com/519900445" target="_blank">Wen hast du Lieb</a>“, die sie, zusammen mit Meike Illig am Piano, aufführte. <br /><br />Lokale, die von Künstler*innen geleitet und gestaltet werden und als soziale Treffpunkte funktionieren, sind in der Kunstgeschichte keine Seltenheit. Auch während ihrer Bartätigkeit arbeitete Cosy als Künstlerin: „Gastronomin und Künstlerin war ich gleichzeitig. Für mich gehörte das immer zusammen.“<span style="font-size: xx-small;">2</span> Im „Bei Cosy“ und anderen queeren Bars zeigte sie ihre berüchtigte Serie von Zeichnungen, die 1963 aufgrund des bayerischen „Schmutz und Schundgesetzes“ beschlagnahmt und höchstwahrscheinlich vernichtet wurden. Die Zeichnungen zeigten zum Beispiel Katzen mit Frauenköpfen und riesigen Brüsten, die verschiedene Handlungen miteinander vollzogen. Nachdem ich nach verschiedenen Recherchen in Polizeiarchiven in München die Zeichnungen nicht ausfindig machen konnte, zu vielen Akten wurde uns der Zugang wegen eines Schimmelbefalls leider verwehrt, entschied ich mich zusammen mit dem Künstler Richard John Jones 2015 das „Bei Cosy“ im <a href="https://floridalothringer13.org/program/bar-bei-cosy-1961-1980" target="_blank">Kunstraum Lothringer13_Florida in München</a> und 2017 im <a href="http://www.rongwrong.org/Bei-Cosy" target="_blank">Rongwrong in Amsterdam</a> als temporäre queere Bar wiederzueröffnen. Die eingeladenen Künstler*innen wurden gebeten, auf die verlorenen Werke von Cosy Pièro als Geste der Solidarität zu reagieren und gleichzeitig diese Werke aus ihrer eigenen Perspektive neu zu erfinden und zu interpretieren. Von Cosy zeigten wir die Arbeit „Vielleicht Haben Wir Solch Grosse Sehnsucht Ja Verdient ?!–“ von 2007, ein handgeschriebener Schriftzug in weißer Kreide auf einer trapezförmigen Schiefertafel. <br /><br />Seit unserer Zusammenarbeit für die temporären „Bei Cosy“-Bars in München und Amsterdam bin ich mit Cosy und ihrer Ehefrau Anne Osmers ungeachtet unseres Altersunterschieds befreundet. Ich bin glücklich, dass ich dadurch auch immer besser ihr künstlerisches Werk kennenlernen konnte und habe sie in ihrem ehemaligen Atelier in der Dachauerstraße besucht. Als ich einige Jahre zuvor nach München gezogen bin, um an der Akademie der Bildenden Künste zu studieren, war ich enttäuscht wie heteronormativ und sexistisch viele der Studierenden und der fast ausschließlich männlichen Professor*innen waren. Die Freundschaft mit Cosy und Anne und weitere Begegnungen am Forum Queeres Archiv München bedeuten mir so viel, da sie so etwas wie eine queere Kunst-Familie für mich geworden sind. <br /><br />Ich konnte die letzten Jahre so viel von Cosy und ihrem Werk seit den 1960er Jahren lernen. Auch wenn sie sich in den letzten knapp sieben Jahrzehnten als Künstlerin immer weiterentwickelt hat, bleibt ihre eigene Handschrift dabei immer deutlich. Cosys Werk erstreckt sich über verschiedene Ausdrucksformen wie Malerei, Performance und Aktionskunst, Künstlerinnenbücher, Poesie, Skulpturen, Installationen und Videokunst. Ihr favorisiertes Medium blieb dabei aber immer die Arbeit auf Papier. In den bereits beschriebenen erotischen Zeichnungen und weiteren Arbeiten aus den 1960er und 1970er Jahren sieht man noch stärkere surrealistische Einflüsse als in ihrem späteren Werk. Gerade die sinnlichen, oft homoerotischen Darstellungen von Frauen in dieser Schaffensphase, die von sexuellen Zwängen befreit sind, scheinen überraschend in einer Zeit, in der die neuen feministischen Bewegungen der 1970er Jahre weibliche Sexualität wenig offen oder meist bieder darstellten. <br /><br />Anfang der 1980er Jahre übergab sie nach zwanzig Jahren das „Bei Cosy“ an ihre damalige Lebensgefährtin und konzentrierte sich wieder ausschließlich auf ihre Kunst. Ihr Werk aus dieser Zeit lässt spürbar werden, dass sie als Künstlerin viel nachzuholen hatte. In den 1980er Jahren entstanden großformatige Malereien, überlebensgroße Skulpturen und raumfüllende Installationen. Auf dem Plakat zu ihrer Einzelausstellung 1985 in der <a href="http://danykellergalerie.de/" target="_blank">Dany Keller Galerie</a> sehen wir Cosy Pièro in weißem Overall und weißen Sneakern vor vier 2,40 m großen Figuren sitzen. Die Figuren sind aus schwarz angemalten Holzplatten ausgeschnitten und jeder Figur steckt eine echte, gefaltete Zeitschrift oder Zeitung in einem Schlitz im Kopf. Die 5,60 auf 1,60 m große Malerei auf Holz „Cosmogram“ zeigt gelbe Silhouetten, gemalt mit schwungvollem Pinselstrich. Eine weitere sinnlich-figürliche Malerei aus 1984 ist die Arbeit „Auch Erdbeeren zünden“, auf der eine Erdbeere mit brennender Zündschnur im Genitalbereich zu sehen ist. Im dazugehörigen Ausstellungskatalog in der Dany Keller Galerie veröffentlicht Cosy auch eigene Gedichte. <br /><br />1985 erhält sie den Förderpreis der Stadt München und im selben Jahr wird eine Dokumentation von Gabriele von Arnim über Cosy im ZDF in der Reihe „Frauengeschichten“ ausgestrahlt. In den nächsten Jahren folgen viele weitere Einzelausstellungen, unter anderem in der Galerie Rosenberg in Zürich, Galerie Jan van Tuyek in Gent in Belgien, Messebeteiligungen auf der Kunstmesse Art Cologne, Art Basel und Art International Zürich und zahlreiche Gruppenausstellungen in Deutschland, Niederlande, Kroatien, Italien und Belgien. Arbeiten von Cosy befinden sich unter anderem in der Sammlung der Schweisfurth-Stiftung, in der Bayerischen Staatsgemäldesammlung, im Deutschen Ledermuseum in Offenbach und im Beck-Forum in München. Am U-Bahnhof Brudermühlstraße in München wurden 1988 zwei ihrer Werke im öffentlichen Raum installiert, die noch heute zu sehen sind. An der Gleiswand hängen zwei Figuren aus Metallblech – eine gold, eine silbern, die sich gegenüberstehen. Ein weiteres Kunst am Bau-Projekt entstand 1985 am Flughafen München Riem mit der Gestaltung der Werbeflächen am Flugsteig B15 zur Thematik „Mensch+Computer“. Auch nach der Zeit des „Bei Cosy“ pflegt sie weiterhin den Kontakt zur queeren und feministischen Szene in München und gestaltete das <a href="https://archiv.forummuenchen.org/objekt/viorosa-cosy-piero-1985-muenchen-leuchtet/">Plakat zur lesbisch-schwulen Kulturwoche „München leuchtet VioRosA“</a>, die 1985 im Münchner Stadtmuseum, im Lenbachhaus und dem Vollmar-Haus stattfand und vom ehemaligen Stadtrat Gerd Wolter organisiert wurde.<div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmKzo9MZ5HpvW39ctBYTJCndZlYSH3NTG0jC6N5Mmw5G8oR-DrHewvLPg8dqhLFoZhwLDSsiEeqEsnFlW925dj0cK4aWgeQ-TXF7ZYqba_5GhQAaciKSQ7ulOng22QKouos1-Nu-EMoB4nYWnLhWxPBJMwXf8Z89yxAAV1gxr-SPAXjUE76g3gsscAyg/s1534/30%20Kopie.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1477" data-original-width="1534" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmKzo9MZ5HpvW39ctBYTJCndZlYSH3NTG0jC6N5Mmw5G8oR-DrHewvLPg8dqhLFoZhwLDSsiEeqEsnFlW925dj0cK4aWgeQ-TXF7ZYqba_5GhQAaciKSQ7ulOng22QKouos1-Nu-EMoB4nYWnLhWxPBJMwXf8Z89yxAAV1gxr-SPAXjUE76g3gsscAyg/s320/30%20Kopie.jpg" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div><br />Seit den 1990er Jahren entstanden neben abstrakteren Arbeiten auf Papier und Leinwand auch weitere mit Text auf Leder, Stoff oder anderen Objekten, bei denen sie mit großer Sensibilität und Humor mit Sprache umgeht, aber auch ihre eigenen Zweifel mit uns teilt. Auf einem Werk aus einer Fliegenklatsche aus Holz und Gummi steht der handgeschriebene Text „Der liebe Gott hat mit nix was zu tun“. Auf einem Kunstwerk aus einem Kissen sind die handgeschriebenen Wörter „Beruhig dich“ gedruckt, und auf einem Paar Lederschuhen ist in Klebeschrift „Gehen Lassen“ geschrieben. 2004 veröffentlicht Cosy die CD „Ein Tröpfchen Liebe noch …?“ mit poetischen Texten und Aphorismen, die sie selbst eingesprochen hat. Zuletzt hat sie sich in ihrem neuen Projekt „Entwurf für eine neue Sprache“ mit Sprachforschung und einer utopischen Kommunikationsform vor jeglicher Konditionierung des Menschen auseinandergesetzt, die keine negativ besetzten Begriffe wie Gewalt-, Hass-, Schimpf- oder auch Befehlsworte beinhaltet. <br /><br />Neben ihrer eigenen künstlerischen Tätigkeit hat Cosy immer andere Künstler*innen und Kollektive unterstützt und gefördert. Bereits 1969 eröffnete sie für kurze Zeit die Galerie Cosy in der Cittá 2000 und zeigte Zeichnungen von anderen Künstler*innen. Von 1982 bis 1985 gründete sie die „Werksatt Brücke 7“, in der Ausstellungen stattfanden und sieben Künstler*innen wie Rabe perplexum und dem Performancekollektiv minimal club ein Atelier zur Verfügung gestellt wurde. Cosy kuratierte 1998 die posthume Retrospektive von Rabe perplexum in der Rathausgalerie in München. Die beiden waren eng befreundet und als nach Rabes frühen Tod – bereits mit 39 Jahren – die Wohnung von Rabe perplexum kurz vor der Zwangsräumung stand, kümmerte sich Cosy zusammen mit Elfe Brandenburger und Carmen Marchwinski um Rabes Nachlass, der zunächst in Cosys Atelier zwischengelagert werden musste. Um ihr Engagement für das Werk von Rabe perplexum zu würdigen, haben wir Cosys Zeichnung „Künstleridioten“ aus den späten 1980er Jahren in die Ausstellung „<a href="https://www.lothringer13.com/programm/aktuell/exzentrische-80er-tabea-blumenschein-hilka-nordhausen-rabe-perplexum-und-kompliz-innen-aus-dem-jetzt/">Exzentrische 80er. Tabea Blumenschein, Hilka Nordhausen, Rabe perplexum und Kompliz*innen aus dem Jetzt</a>“ in der Lothringer 13 in München integriert. Cosy Pièro unterrichtete auch andere Künstler*innen in der Werkstatt für Kunst und Kultur in Fratte Rosa in Italien und an verschiedenen Orten in München. Zuletzt hat sich Cosy Pièro im Städtischen Atelierhaus Dachauerstraße München engagiert und in verschiedenen Zeitzeuginnen-Gesprächen in queer-feministischen Kontexten unermüdlich jungen Menschen aus ihrem Künstlerinnenleben berichtet. Besonders eine junge und queere Künstler*innengeneration kann sich mit ihrem eigenständigen Werk, ihrem Mut, ihrer Sensibilität und ihrer Maxime identifizieren: „Macht es öffentlich, je öffentlicher, desto besser."</div><div><br />Ich kann dem letzten Satz der <a href="https://stadt.muenchen.de/infos/kunstpreis.html">Jurybegründung für diesen Kunstpreis der Landeshauptstadt München</a> für Cosy Pièros Lebenswerk vollkommen zustimmen: „Der Kunstpreis der Stadt würdigt die Leistung einer einflussreichen Künstlerin und Person, die nie die institutionelle Beachtung erhalten hat, die sie verdient.“ Nachdem der Jury neben Politiker*innen auch Direktor*innen und Kurator*innen aus dem Museum Brandhorst, Museum Villa Stuck, Kunstverein München, Haus der Kunst, Lenbachhaus und der Sammlung Goetz angehörten, hoffe ich, dass einer institutionellen Würdigung ihres Werkes nun endlich nichts mehr im Weg steht. Zu lange wurden queere und weibliche Künstler*innen unterproportional in staatlichen und städtischen Organisationen repräsentiert oder ganz übersehen. An der Akademie der Bildenden Künste in München wurde nach dem zweiten Weltkrieg erst 1995 eine weibliche Künstlerin als Professorin in einer freien Kunstklasse berufen. Es gibt noch viel zu tun und nachzuholen! Es gibt noch so viele weitere Werke von Cosy wiederzuentdecken, die ich in dieser Laudation aus Zeitgründen nicht erwähnen konnte! <br /><br />Liebe Cosy, ich freue mich besonders, dass wir seit einem halben Jahr wieder zusammenarbeiten können. Zusammen mit den Künstler*innen Jan Erbelding, Leo Heinik und Maria VMier arbeiten wir an einer neuen Ausgabe des „<a href="https://ruine-muenchen.de/">Ruine Magazins</a>“, das in kürze erscheint und neben historischen Fotos aus der einflussreichen „Bei Cosy“ Bar auch Kunstwerke von dir zeigt, die während und nach deiner Bartätigkeit entstanden sind. Du bist für mich als jüngerem Künstler ein großes Vorbild. Ich bin dir dankbar für deine Unterstützung, die vielen Begegnungen als Freund*innen und Kunstkolleg*innen und das gemeinsam Erlebte in den letzten acht Jahren. Ich bewundere dich für deinen außergewöhnlichen Mut, deine Offenheit, deinen Humor, deine Lebensfreude und dein Durchhaltevermögen. Ich freue mich, mit dir diese große Würdigung deines Werks am heutigen Abend feiern zu können, die bereits so lange aussteht. <br /><br /><b>Liebe Cosy, Danke für deine Kunst!<br /></b><br /><span style="font-size: x-small;">1 Bei Cosy, von Cosy Pièro, Ankündigungstext der temporären Bar im Rongwrong in Amsterdam, 2017<br />2 Cosy Pièro erhält den Kunstpreis der Stadt für ihr Engagement ‒ So prägte sie München in den 60ern und 70ern, von Daniela Borsutzky, Hallo München, 21.09.2022<br /></span><br /><div style="text-align: right;">von Philipp Gufler</div></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-45562709209340618812022-10-11T04:04:00.004-07:002022-11-15T02:18:56.566-08:00Turning Pain into Power<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF66svC68-VMaT3-HDCxbcKBYLue1io4avomITvXPG0GoGwUWKUqDPm6YZPmQLjfWnwLkJpywJZ9_HzmBW302c1Syp2Cbr3kKc_58orgkTxZwGwdageWoJN-R7UMlBXLD7VYCBJmdmi-WQtax5Gn1tQSacYbIGpto1CMWNLkhpt0gVdkJBh2CxIX5WaA/s1714/web_KMMK_Turning_Pain_Into_Power_Poster_70x100_RZ_Korr2_Ansicht2_-_Copia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1714" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF66svC68-VMaT3-HDCxbcKBYLue1io4avomITvXPG0GoGwUWKUqDPm6YZPmQLjfWnwLkJpywJZ9_HzmBW302c1Syp2Cbr3kKc_58orgkTxZwGwdageWoJN-R7UMlBXLD7VYCBJmdmi-WQtax5Gn1tQSacYbIGpto1CMWNLkhpt0gVdkJBh2CxIX5WaA/w280-h400/web_KMMK_Turning_Pain_Into_Power_Poster_70x100_RZ_Korr2_Ansicht2_-_Copia.jpg" width="280" /></a></div><br /><b><br /></b></div><b><div><b><br /></b></div>Opening: 14.10.2022, 19:00 <br /><br />Duration: 15.10.2022 - 29.01.2023 </b><br /><br />Artists: Cana Bilir-Meier, Monica Bonvicini, Rosalyn D'Mello, Regina José Galindo, Silvia Giambrone, Philipp Gufler, Giulia Iacolutti, Paulo Nazareth, Dan Perjovschi, Adrian Piper, Puppies Puppies (Jade Guanaro Kuriki-Olivo), Sven Sachsalber, Giuseppe Stampone<br /><br />Curator: Judith Waldmann<br /><br />The exhibition TURNING PAIN INTO POWER focuses on the potential of art to awaken and raise people’s awareness of social, political and societal injustices. This group show presents a selection of artists who confront the respective grievances with strong, self-confident and creative artistic strategies. Themes such as racism, gender-specific violence or the fight against discrimination (for example against the LGBTIQ community) are addressed and dealt with in the exhibition.<br /><br />Homosexual people were branded with a pink triangle during the Nazi era. Those imprisoned on account of their sexual orientation or gender identity were obliged to wear this symbol in the form of a patch on the clothing they wore as concentration camp prisoners. Philipp Gufler’s “Kostüm Kakaduarchiv” (2022) shows how the pink triangle was used in post-war Germany in conjunction with the slogan “Gays against Oppression and Fascism” as a sign to counter homophobia and against the forgetting of the atrocities of National Socialism. Contextualised by the illustration of further historic documents, such as a photo of the banner reading “Whoever keeps silent about crimes against homosexuals ultimately approves of them” and associated images and texts, the result is a rich interplay of links and references that inspire both reflection and further investigation.<br /><br /><b><a href="https://www.kunstmeranoarte.org/en.html" target="_blank">Kunst Meran</a></b><div>Laubengasse 163</div><div>I-39012 Meran (BZ)</div><div><br /></div><div><div>Tuesday - Saturday from 10 a.m. to 6 p.m.</div><div>Sunday: from 11 a.m to 6 p.m.</div><div>Closed on Mondays</div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeAtVj-wHz83JSYZmg7oIuoITI0wlTrk5Gt0RVG4O4zgHBuZ4goI7Is3o2ammkESvXMZqSVbw71uIJ37Vt2OZnzduc3lskH3Od2pJ00-mcy4_J8O4QzeNi4Iy2o8-I_hwOkInawv7J1vIszVlHGUIiZiXjZRYHKXTgP2b1hND1Z5evTan8lOxUyjoTfA/s2126/21%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldmann_Dan%20Perjovschi,%20Philipp%20Gufler.%20Foto%20Ivo%20Corra%CC%80.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="2134" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBMUXNfvxPNHfO6jN03wFTL3n9Q-BKUF6tiWnecdiA1f0gdUhygifVQy3y6AHJq8l-daewaC7UPRVheps02lm8n5V0l0LEmdwiKRP1F6IfW80xo9hBRfJaNPAtPpHrALYWQfejYZ3lkDjhW3l6cphJBXV89icnPqfD6ZJ-Dwe3SRn8gl-KWaiAfkxoeA/s320/23%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldmann_Philipp%20Gufler.%20Foto%20Ivo%20Corra%CC%80.jpg.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEvPlg0x6ZDqD6FUnCeSlpDACz1fJByZrpp91a_fbAn4tqyv3RtFWYuK49DvBnYZEK6p-vWEmEk3FQA37TLSr99vHXvoFQoIlHM_TymJOVCG2F2FdqCVG12daLBuooZ8EoA7WBi9_Ox9nfVgnNv2ych57BUMJp-2yHuQp1rGXt_PyZR82QAYCFRDS_sQ/s1800/ivo%20corra%CC%80%20%C2%A9%202022_ICF4075web.jpg" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk431d4a6aJj1mEPxaSugwbCqeQ9hhVS4usTvpD_X0IrvCJs61ONt2_c0MY6YpKk1UtZnztgwN5T45wM4ApFS0zFujvKsMj1u3zGJKrbjEvoz-0QuUywHfQUw3T4v2b1iHW7D-QohU5arC-Pkgq9uX82BkncwaUvBQmTJubVOnhRtDZtmOSJwxt9LDOw/s2126/29%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldmann_Philipp%20Gufler.%20Foto%20Ivo%20Corra%CC%80.jpg22%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldma.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="2126" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk431d4a6aJj1mEPxaSugwbCqeQ9hhVS4usTvpD_X0IrvCJs61ONt2_c0MY6YpKk1UtZnztgwN5T45wM4ApFS0zFujvKsMj1u3zGJKrbjEvoz-0QuUywHfQUw3T4v2b1iHW7D-QohU5arC-Pkgq9uX82BkncwaUvBQmTJubVOnhRtDZtmOSJwxt9LDOw/s320/29%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldmann_Philipp%20Gufler.%20Foto%20Ivo%20Corra%CC%80.jpg22%20TURNING%20PAIN%20INTO%20POWER%20curated%20by%20Judith%20Waldma.jpg" width="320" /></a></div><span style="font-size: xx-small;"> (c) Ivo Corrà</span><br /><div><br /></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-76271377237628734772022-09-15T06:27:00.000-07:002022-11-15T03:09:14.956-08:00Buch Exzentrische 80er Tabea Blumenschein, Hilka Nordhausen, Rabe Perplexum und Kompliz*innen aus dem Jetzt<div class="separator"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC6Cq4NXCpjFn7vmZ5sIHb7JuaVGZQ5-x1zujNujlYpyndzsYexMsX_NrQAkXSUq4dXuTlJNKSb8WfWzG5P4-vnSe3Egw0QluQiW_ylaaUql1srvSld_KW7sAscrqObJwxyaWuWH43OBzB6CG39mz6ZW0e3u76pgoCN3yHh8Unj7sDPPfc91u2R-hefQ/s2835/62ff1e60c2f403e1b6b85fc5_220808_0_Cover_Web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="2835" data-original-width="2126" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC6Cq4NXCpjFn7vmZ5sIHb7JuaVGZQ5-x1zujNujlYpyndzsYexMsX_NrQAkXSUq4dXuTlJNKSb8WfWzG5P4-vnSe3Egw0QluQiW_ylaaUql1srvSld_KW7sAscrqObJwxyaWuWH43OBzB6CG39mz6ZW0e3u76pgoCN3yHh8Unj7sDPPfc91u2R-hefQ/w480-h640/62ff1e60c2f403e1b6b85fc5_220808_0_Cover_Web.jpg" width="480" /></a></div><div><br /></div><h4 style="text-align: left;">Deutsch/English<br />372 pages<br />22 Euro<br />ISBN 978 3 942214 47 6</h4><div><div>Tabea Blumenschein (1952–2020), Hilka Nordhausen(1949–1993), and Rabe perplexum (1956–1996) were eccentric artists of the eighties – they deviated from norms and operated outside of the centre in subcultural milieus. They worked in friendly constellations in the cities of Berlin, Hamburg, and Munich. Blumenschein, Nordhausen, and perplexum represented images of gender and identity that weren’t recognized at the time and lived their sexual orientations in a non-conformist manner. The artistic work of the eccentrics was formulated in performances, readings, films, concerts, or murals – in collaborative and often ephemeral forms. For the first time, they are now brought together in one book and discussed contextually.<br /><br />Their lives and works are activated by contemporary artists Ergül Cengiz(*1975) (3 Hamburger Frauen), Philipp Gufler (*1989), and Angela Stiegler(*1987) in a series of images and texts. Art theoretical and philosophical texts as well as voices of contemporaries provide insights into the diverse scenes of the eighties and reflect them for today.<br /><br />The book is published by <a href="https://www.bbooks.de/verlag/exzentrische-80er" target="_blank">b_books</a> in the context of the exhibition“Eccentric 80s”, which will be seen in Munich, Berlin, and Hamburg:<br /><br />Lothringer 13 Halle, Lothringerstr. 13, 81667 München (8.9.2022–6.11.2022), Galerie Nord |Kunstverein Tiergarten, Turmstraße 75, 10551 Berlin (14.12.2022–4.2.2023),Kunsthaus Hamburg, Klosterwall 15, 20095 Hamburg (25.3.2023–21.5.2023)<br /><br /><b>Editors:</b><br />Burcu Dogramaci teaches art history at Ludwig-Maximilians-Universität München.<br />Ergül Cengiz is an artist and part of the group 3 Hamburger Frauen. <br />Philipp Gufler is an artist and member of Forum Queeres Archiv München.<br />Mareike Schwarz is an art researcher at Ludwig-Maximilians-Universität München.<br />Angela Stiegler is an artist and co-founder of K Hybrid and Opernkollektiv DIVA.<br /><br /></div></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0tag:blogger.com,1999:blog-574074409089506047.post-68205771497436998722022-09-13T12:58:00.001-07:002022-09-13T13:00:52.288-07:00UFFICIO DELLA NOTTE<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiINVsbJjv-baHKiAbBzZHcDEQHnaIEVYWeS0_07s2ZpMZXp7K4NOldDCLHpMC-e4cW1A9mpRIubvW7UXVts8TvvQGHdvKdyTk1ssuAepxei0DtJs6WfyxhKm5-CnQSSFLa0A1i1Bs7QmTYy0xNc2DZAX15UGpCYXks2KUXGCvjQTsk8Ti_SPTMDVT71w/s2256/Bildschirmfoto%202022-09-13%20um%209.59.27%20PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2256" data-original-width="1806" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiINVsbJjv-baHKiAbBzZHcDEQHnaIEVYWeS0_07s2ZpMZXp7K4NOldDCLHpMC-e4cW1A9mpRIubvW7UXVts8TvvQGHdvKdyTk1ssuAepxei0DtJs6WfyxhKm5-CnQSSFLa0A1i1Bs7QmTYy0xNc2DZAX15UGpCYXks2KUXGCvjQTsk8Ti_SPTMDVT71w/w320-h400/Bildschirmfoto%202022-09-13%20um%209.59.27%20PM.png" width="320" /></a></div><br /><b><br /></b></div><b><div><b><br /></b></div>23. Sept - 15. Oct 2022</b><div><b><br /></b><div><b>Opening: Friday, 23. Sept 18:00-21:00<br /></b><div><br /><i> Pleasure – the sharing of joy – affects and connects people. Although certain practices, especially those that conform to non-normative, queer, non-monogamous and non-binary lives, have always been marginalised, criminalised or at least ignored by the institutions of power. Nevertheless the figures of the night have broken the limits of society’s decency. What still remains are questions: Where and how do we talk about pleasure? Which spaces are claimed and by whom? Are safe(r) spaces only dreams of a hidden utopia? To which extent do institutions determine what is sexually allowed/not allowed? And what does all this have to do with care work? In search of answers, <a href="https://www.instagram.com/ufficiodellanotte/" target="_blank">UFFICIO DELLA NOTTE</a> presents thirteen artistic positions that are shown in six different art spaces and clubs as well as in public spaces. The exhibition takes place from 23rd September and 15th of October 2022 in Zurich and is combined with walks, a pleasure positive party and a panel on the topic of Sexwork. </i><div><br /></div><div><br /></div><div><b>Philipp Gufler <br />Lana Kaiser / Quilt #36 (Der Kreis)</b><br /><br />Philipp Guflers artistic practices include silkscreen prints on fabric and mirrors, artist books, performances and video installations. Their short film Lana Kaiser is a touching personal portrait of the singer and entertainer, who disappeared from a cruise ship on her way to New York in 2018. Quilt #36 (Der Kreis) functions here both as a reference for queer history in Zürich and Guflers’ broader research into self-organized archives. The magazine Der Kreis was internationally published from 1943 to 1967. During and for several years after World War II (1939-1945), it was the only homosexual magazine in the world.</div><div><br /></div><div><div>at <b>PARAT</b></div><div>Limmatstrasse 204, CH-8005 Zürich </div><div>Wed - Sun, 16:00-20:00</div></div></div></div></div>Philippguflerhttp://www.blogger.com/profile/00653189378750442523noreply@blogger.com0