Posts mit dem Label The Beginning of Identification and its End werden angezeigt. Alle Posts anzeigen
Posts mit dem Label The Beginning of Identification and its End werden angezeigt. Alle Posts anzeigen

Dienstag, 1. April 2025

The Beginning of Identification, and its End at Filmfestivals

 

The Beginning of Identification, and its End

by Philipp Gufler, 2024

19 min.
Music: Rory Pilgrim
Camera and color correction: Leo van Kann
Sound: Nathalie Bruys
Speaker: Susanne Sachsse
Contains adaptations of a performance by Ben d’Armagnac at Brooklyn Museum, New York, 1978 and text fragments from Karl Heinrich Ulrichs’s books Forschungen über das Räthsel der mannmännlichen Liebe, 1864–1880.


The short film by Philipp Gufler initially exhibits a binary situation: light blue and pink, flexibly assigned to two genders historically. This binarity liquefies in a lovely, obscuring initial development, androgynous bodies from various times appear with a text by Karl Heinrich Ulrichs, a pioneer of the ›third sex‹ theory. In the 19th century, he called for the public visibility of sexual diversity, as an imperative addressed to the »Uranians«: Expose yourselves, carry societal contempt onto the political stage, demonstrate solidarity with other oppressed people! An imperative of identification, a beginning of the history of queer emancipation. The circular form of the planet Uranus, for Ulrichs a utopian place of self-empowerment, is juxtaposed with the rectangular form of a tile trapezium. In it, the nude artist surrenders to a jet of water aimed at his heart. A ›naked body shot‹ that comments on the investigative, fixating gaze of society on the ›actual‹ gender of human beings. Here, Gufler cites a performance of Ben d’Armagnac from 1978, but is, in contrast with him, nude. The heart region symbolically hit by the jet of water becomes the erogenous zone of passivity. The second movement of the work leads to the end of the emancipation narrative. On the right side of the screen appear the right-wing positions of the ‘bad gays’ of our time (Pim Fortuyn, Alice Weidel, a neo-Nazi), in the historical footsteps of Ernst Röhm; self-confident gays and lesbians who have rejected solidarity, aim their toxic water at everything weak and at all sexual intermediaries and work to reconstruct binary conditions that allow for no third sex. The artist leaves the frame. (Jan Künemund for Videonale.20)

TRAILER



Filmfestivals


71. International Short Film Festival, Oberhausen (World Premiere)

German Competition
3. – 4.5.2025


----

Divine Queer Film Festival

Turin, Italy
23. – 25.5.2025

----

Queering the Belvedere

Blickle Kino im Belvedere 21, Vienna, Austria
12.6.2025, 18:30


---

Contexts Festival of Ephemeral Art in Sokołowsko

Kino zdrowie, ul. Główna 36, Poland
17.7.2025, 22:00


---

49. Open Air Filmfest Weiterstadt

Filmzelt, Weiterstadt
16.8.2025, 20:22


----

15. Fringe! Queer Film & Arts Fest

13.-21.9.2025


----

Nederlands Film Festival

20.9.2025, 8 pm
Louis Hartlooper Complex, Utrecht, NL


---


Montag, 24. März 2025

DISLOCATIONS—in sight


DISLOCATIONS—in sight

13.04.2025 – 22.06.2025

Opening: April 12, 2025, 6 – 9 PM


in sight is the first program sequence of DISLOCATIONS. It examines how different spaces condition the (in)visibility of bodies—showing, controlling, and inscribing them into history. Queer, female*, and subcultural perspectives on archives disrupt imposed orders through moments of shift and distortion. The exhibition employs projections to highlight what often remains in the dark: videos by Philipp Gufler and Naomi Rincón Gallardo and a sculpture and video by Constantin Hartenstein appear in the dimly lit exhibition space, displayed alongside slides from galerie weisser elefant. These works contribute to a feminist reinterpretation of archival materials in a display designed by Martha Schwindling. The exhibition is in dialogue with a performance by Lola von der Gracht and Danila Lipatov’s research on queer subcultures in the late GDR.


Curated by Natalie Keppler & Agnieszka Roguski (Artistic Directors Kunst Raum Mitte)


Kunst Raum Mitte
Auguststrasse 21
10117 Berlin

OPENING HOURS
Tuesday – Sunday, 11 am – 7 pm
Admission to all exhibitions and events is free of charge.




Photos: Jannis Uffrecht 

Sonntag, 23. März 2025

Videonale.20


VIDEONALE.20 

11.4. – 18.5.2025

Opening: April 10, 7 pm


We are celebrating the 20th edition of Videonale as an eventful festival of encounters with video art and its makers: 26 international historical and contemporary works of video art can be seen in an elaborate exhibition presentation at the Kunstmuseum Bonn and at six exhibition stations in the city of Bonn. 

With works by Mark Bain, Mareike Bernien & Alex Gerbaulet, Pauline Boudry & Renate Lorenz, Viktor Brim, Chto Delat, VALIE EXPORT, Ken Feingold, Beatrice Gibson & Nick Gordon, Gorilla Tapes, Philipp Gufler, Akiko Hada, Lynn Hershman Leeson, Ida Kammerloch, Stéphanie Lagarde, Alwin Lay, Lukas Marxt, Angelica Mesiti, Ana María Millán, Marcel Odenbach, Stefan Panhans & Andrea Winkler, Dani & Sheilah ReStack, Julia Scher, Maryam Tafakory, Ana Torfs, Jan Verbeek, Yan Wai Yin, Anna Zett. 



PROGRAM OPENING DAY 1

Friday, April 11, 2025

ON RESILIENCE
11.30am–1.00pm

Artist talk at Auditorium Kunstmuseum Bonn


Since the emergence of video art in the 1960s, artists have been using the medium of video to confront the oppression of people and their diversity in subversive, resistant and resilient ways. Many works of the VIDEONALE.20 address the social, political and ecological conditions to which human and non-human subjects are involuntarily exposed and how different subjects can withstand those conditions. The medium of video becomes an instrument of exposure, preservation, and world building and thus itself an expression of resilience. In three discussion rounds, VIDEONALE.20 artists will talk about the phenomenon of resilience in their work.


Philipp Gufler / Kat Lawinia Gorska

A jet of water is aimed at the heart region of a naked body that stands firm: In THE BEGINNING OF IDENTIFICATION, AND ITS END, Philipp Gufler uses historical footage and staged moving images to explore the successful emancipation history of gender diversity and the visibility of queer bodies, which he contrasts with contemporary homonationalism and its appropriation of LGBTIQ emancipation demands for the sake of anti-Muslim racism and exclusion.


Kunstmuseum Bonn
Museumsmeile
Helmut-Kohl-Allee 2
53113 Bonn

Opening hours
Tuesday to Sunday 11 a.m. – 6 p.m.
Wednesday 11 a.m. – 7 p.m.
Closed on Monday






© Videonale | photo: David Ertl


Montag, 24. Juni 2024

Confessing Weakness at Traklhaus, Salzburg


July 13 - August 31, 2024

Opening: Friday, July 12, from 18:00


Finissage: Saturday, August 31, at 12:30
Film screening Conversation with Albert Knoll (2023, 25 Min.) and talk with the artist, Conny Felice (HOSI Salzburg) and Albert Knoll (Forum Queeres Archiv München, Munich). 


As part of the International Summer Academy Salzburg

Curated by Sophie Goltz and Niklas Koschel


Galerie Kunst im Traklhaus Salzburg
Waagplatz 1a
5020 Salzburg
Austria

Opening times

Tuesday to Friday: 14:00 - 18:00
Saturday, 10:00 - 13:00
and by appointment











Fotos: Helena Kalleitner

Mittwoch, 21. Februar 2024

Dis/Identfication at Kunsthalle Mainz

 


DIS/IDENTIFICATION

8th of March – 16th of June 2024


Opening
Thursday, 7th of March 2024, 19:00


Curated by Yasmin Afschar


Images and (hi)stories of queer life both today and in the past are at the heart of Philipp Gufler’s artistic oeuvre. Key persons in history, developments and incisive events from different periods all enter into dialog and tell an intersectional queer story. Gufler comes across his source material in historical archives, newspapers, radio and TV, and his reference points originate in literature and the aesthetic practices of the LGBTQIA+ movements, in queer theory, and in Pop culture. Gufler reflects on these in film essays, but also in performances and pictorial objects, in paintings on mirrors or silkscreened fabrics (the quilts as he calls them today feature 53 different textiles and are dedicated to queer people, movements, and places).

In his largest solo exhibition to date, starting with a new video installation entitled The Beginning of Identification, and its End​. Gufler offers a survey of his creative output of recent years. It does not just tell us the “hi/stories of heroes”. Gufler's approach always leaves scope for the dark sides and the controversies. The focus is on identification but also on “disidentification” and thus on the limits of queer categories of identification. 

The exhibition will be accompanied by Philipp Gufler’s first monograph, including texts by Karolina Kühn, Louwrien Wijers and Yasmin Afschar. 


PUBLIC PROGRAM

Fade into You - film program on oral-history-practices with Philipp Gufler
Wednesday, April 10, 7 pm at Kunsthalle Mainz

Film program on AIDS & activism with Philipp Gufler, Marc Siegel and Sarah Horn
Thursday, May 2, 7 pm at Medienhaus (Wallstrasse 11, Mainz)

Finissage: Artist talk & book-launch
Sunday, June 16, 3 pm at Kunsthalle Mainz





Kunsthalle Mainz
Am Zollhafen 3–5
55118 Mainz

Opening times
Tuesday, Thursday, Friday 10 am–6 pm
Wednesday 10 am–9 pm
Saturday, Sunday 11 am–6 pm














Installation view Philipp Gufler: Dis/Identification, Kunsthalle Mainz, 2024. Photo: Norbert Miguletz