SAVE THE DATE
Philipp Gufler: It is getting alive
Eröffnung Freitag 10.1.20120, 18–21 Uhr
Ausstellung 11.1. – 29.2.2020
BQ
WeydingerstraSSe 10
1018 Berlin
Di– Sa 11–18 Uhr
Di– Sa 11–18 Uhr
Dienstag, 10. Dezember 2019
It is getting alive
Eröffnung Freitag 10.1.20120, 18–21 Uhr
Ausstellung 11.1. – 29.2.2020
BQ
WeydingerstraSSe 10
Jahresgaben Kunstverein für die Rheinlande und Westfalen
JAHRESGABEN 2019
mit LEDA BOURGOGNE, CYTTER/ ROEBAS, ROCHELLE FEINSTEIN, DOROTA GAWĘDA UND EGLĖ KULBOKAITĖ, NICHOLAS GRAFIA, PHILIPP GUFLER, KARL HOLMQVIST, ARI BENJAMIN MEYERS, PUPPIES PUPPIES (JADE KURIKI OLIVO), EILEEN QUINLAN, AGNES SCHERER, THOMAS SPALLEK, EVELYN TAOCHENG WANG, LENA WILLIKENS & SARAH SZCZESNY
December 14, 2019 – January 5, 2020
Opening: Friday, December 13, 2019, 7.30 pm
40213 Düsseldorf
Foto: Katja Illner
Dienstag, 12. November 2019
small night zine
small night zine—ARRANGEMENTS
35 Artists At Large experienced through screen-printed posters & letters (“Orphans”) & 6 collaborative zines.
Collaborative zines by
Lily Cahill & David Fagan
Jessica Conway & Catherine Barragry
Laura Fitzgerald & Katharine Barrington
Silvia Maglioni & Graeme Thompson aka Terminal
Alan Phelan & Philipp Gufler
Lee Welch & Paul Hallahan
Pallas Projects/Studios
115–117 The Coombe
Dublin 8
Ireland
Lee Welch & Paul Hallahan
115–117 The Coombe
Dublin 8
Ireland
Montag, 23. September 2019
Liebe und Ethnologie / Love and Ethnology
Liebe und Ethnologie
 |
| Philipp Gufler, Quilt #01 (Hubert Fichte) mit Adrian Djukic, 2013 |
Die koloniale Dialektik der Empfindlichkeit (nach Hubert Fichte)
18.10.2019–06.01.2020
Can the ethnographic gaze be “given back”, restituted? Within the context of ethnology and the aesthetic avant-garde of post-war West Germany, the exhibition examines Hubert Fichte’s writing and takes it as the starting point for new artistic works on questions of representation and restitution, dissolution of boundaries and canonization, and updating colonial power relations.
The German writer Hubert Fichte (1935-1986) was fascinated by arts and religions of the African diaspora. In the 1970s, he travelled cities like Salvador da Bahia and Rio de Janeiro, Santiago de Chile, Dakar, New York and Lisbon, developing his utopia of a radical sensitivity. This sensitivity would serve research alongside intense interviews, intimacy through (gay) sexuality, self-reflexivity, and a condensed poetry of objectivity. Fichte’s experiments with dialogical forms of writing were incorporated in his monumental, unfinished cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity).
The exhibition and research project in cooperation with the Goethe-Institut, Hubert Fichte: Love and Ethnology, opens these works for a critical contemporary discussion. Since 2017, selected novels have been translated into Portuguese, English, French, Spanish and Wolof. For the first time, this stimulated a reception of Fichte’s writings in the places of their creation. Exhibitions curated on-site showed new artistic works. The concluding Berlin exhibition Love and Ethnology – The Colonial Dialectic of Sensitivity (after Hubert Fichte) gathers these inverted gazes and presents them against the backdrop of ethnology and the aesthetic avant-garde of post-war West Germany.
With extensive archival materials and artistic works by Nadja Abt, Heriberto “Eddie” Alicea, Kader Attia, Gilles Aubry, Richard Avedon, Alvin Baltrop, Gabriel Barbi, Letícia Barreto, Coletivo Bonobando, Papisto Boy, Michael Buthe, Miguel Rio Branco, Rosemarie Clausen, Nathalie David, Mestre Didi, Hubert Fichte, Claudia del Fierro, Avril Forest, Alair Gomes, Renée Green, Philipp Gufler, Ayrson Heráclito, Isaac Julien, Euridice Zaituna Kala, Kippenberger und Akim S. aus 44, Friedl Kubelka, Pedro Lemebel, Cristóbal Lehyt, Musa Michelle Mattiuzzi, Leonore Mau, Tiona Nekkia McClodden, Virginia de Medeiros, Michaela Melián, Mario Navarro, Richard Oelze, Pan African Space Station, Lil Picard, André Pierre, Lili Reynaud-Dewar, Daniel Richter, Thierno Seydou Sall, Pierre Verger, James Van der Zee and others.
Curated by Diedrich Diederichsen and Anselm Franke
Can the ethnographic gaze be “given back”, restituted? Within the context of ethnology and the aesthetic avant-garde of post-war West Germany, the exhibition examines Hubert Fichte’s writing and takes it as the starting point for new artistic works on questions of representation and restitution, dissolution of boundaries and canonization, and updating colonial power relations.
The German writer Hubert Fichte (1935-1986) was fascinated by arts and religions of the African diaspora. In the 1970s, he travelled cities like Salvador da Bahia and Rio de Janeiro, Santiago de Chile, Dakar, New York and Lisbon, developing his utopia of a radical sensitivity. This sensitivity would serve research alongside intense interviews, intimacy through (gay) sexuality, self-reflexivity, and a condensed poetry of objectivity. Fichte’s experiments with dialogical forms of writing were incorporated in his monumental, unfinished cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity).
The exhibition and research project in cooperation with the Goethe-Institut, Hubert Fichte: Love and Ethnology, opens these works for a critical contemporary discussion. Since 2017, selected novels have been translated into Portuguese, English, French, Spanish and Wolof. For the first time, this stimulated a reception of Fichte’s writings in the places of their creation. Exhibitions curated on-site showed new artistic works. The concluding Berlin exhibition Love and Ethnology – The Colonial Dialectic of Sensitivity (after Hubert Fichte) gathers these inverted gazes and presents them against the backdrop of ethnology and the aesthetic avant-garde of post-war West Germany.
With extensive archival materials and artistic works by Nadja Abt, Heriberto “Eddie” Alicea, Kader Attia, Gilles Aubry, Richard Avedon, Alvin Baltrop, Gabriel Barbi, Letícia Barreto, Coletivo Bonobando, Papisto Boy, Michael Buthe, Miguel Rio Branco, Rosemarie Clausen, Nathalie David, Mestre Didi, Hubert Fichte, Claudia del Fierro, Avril Forest, Alair Gomes, Renée Green, Philipp Gufler, Ayrson Heráclito, Isaac Julien, Euridice Zaituna Kala, Kippenberger und Akim S. aus 44, Friedl Kubelka, Pedro Lemebel, Cristóbal Lehyt, Musa Michelle Mattiuzzi, Leonore Mau, Tiona Nekkia McClodden, Virginia de Medeiros, Michaela Melián, Mario Navarro, Richard Oelze, Pan African Space Station, Lil Picard, André Pierre, Lili Reynaud-Dewar, Daniel Richter, Thierno Seydou Sall, Pierre Verger, James Van der Zee and others.
Curated by Diedrich Diederichsen and Anselm Franke
Conference:
EVA STEFANI, PHILIPP GUFLER, ANTJE ZEIHER / ATHEN – MÜNCHEN
EVA STEFANI
PHILIPP GUFLER
ANTJE ZEIHER
/
ATHEN – MÜNCHEN
26.09.2019 — 22.11.2019
Galerie Françoise Heitsch
Amalienstrasse 19
80333 München
Germany
T +49 (0) 89 - 48 12 00
F +49 (0) 89 - 48 12 01
fheitsch@francoiseheitsch.de
www.francoiseheitsch.de
Mi-Fr 14.00—19.00
Sa 12.00—16.00
(Die Galerie ist in den bayerischen Schulferien geschlossen)
Amalienstrasse 19
80333 München
Germany
T +49 (0) 89 - 48 12 00
F +49 (0) 89 - 48 12 01
fheitsch@francoiseheitsch.de
www.francoiseheitsch.de
Mi-Fr 14.00—19.00
Sa 12.00—16.00
(Die Galerie ist in den bayerischen Schulferien geschlossen)
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