Liebe und Ethnologie
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| Philipp Gufler, Quilt #01 (Hubert Fichte) mit Adrian Djukic, 2013 |
Die koloniale Dialektik der Empfindlichkeit (nach Hubert Fichte)
18.10.2019–06.01.2020
Can the ethnographic gaze be “given back”, restituted? Within the context of ethnology and the aesthetic avant-garde of post-war West Germany, the exhibition examines Hubert Fichte’s writing and takes it as the starting point for new artistic works on questions of representation and restitution, dissolution of boundaries and canonization, and updating colonial power relations.
The German writer Hubert Fichte (1935-1986) was fascinated by arts and religions of the African diaspora. In the 1970s, he travelled cities like Salvador da Bahia and Rio de Janeiro, Santiago de Chile, Dakar, New York and Lisbon, developing his utopia of a radical sensitivity. This sensitivity would serve research alongside intense interviews, intimacy through (gay) sexuality, self-reflexivity, and a condensed poetry of objectivity. Fichte’s experiments with dialogical forms of writing were incorporated in his monumental, unfinished cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity).
The exhibition and research project in cooperation with the Goethe-Institut, Hubert Fichte: Love and Ethnology, opens these works for a critical contemporary discussion. Since 2017, selected novels have been translated into Portuguese, English, French, Spanish and Wolof. For the first time, this stimulated a reception of Fichte’s writings in the places of their creation. Exhibitions curated on-site showed new artistic works. The concluding Berlin exhibition Love and Ethnology – The Colonial Dialectic of Sensitivity (after Hubert Fichte) gathers these inverted gazes and presents them against the backdrop of ethnology and the aesthetic avant-garde of post-war West Germany.
With extensive archival materials and artistic works by Nadja Abt, Heriberto “Eddie” Alicea, Kader Attia, Gilles Aubry, Richard Avedon, Alvin Baltrop, Gabriel Barbi, Letícia Barreto, Coletivo Bonobando, Papisto Boy, Michael Buthe, Miguel Rio Branco, Rosemarie Clausen, Nathalie David, Mestre Didi, Hubert Fichte, Claudia del Fierro, Avril Forest, Alair Gomes, Renée Green, Philipp Gufler, Ayrson Heráclito, Isaac Julien, Euridice Zaituna Kala, Kippenberger und Akim S. aus 44, Friedl Kubelka, Pedro Lemebel, Cristóbal Lehyt, Musa Michelle Mattiuzzi, Leonore Mau, Tiona Nekkia McClodden, Virginia de Medeiros, Michaela Melián, Mario Navarro, Richard Oelze, Pan African Space Station, Lil Picard, André Pierre, Lili Reynaud-Dewar, Daniel Richter, Thierno Seydou Sall, Pierre Verger, James Van der Zee and others.
Curated by Diedrich Diederichsen and Anselm Franke
Can the ethnographic gaze be “given back”, restituted? Within the context of ethnology and the aesthetic avant-garde of post-war West Germany, the exhibition examines Hubert Fichte’s writing and takes it as the starting point for new artistic works on questions of representation and restitution, dissolution of boundaries and canonization, and updating colonial power relations.
The German writer Hubert Fichte (1935-1986) was fascinated by arts and religions of the African diaspora. In the 1970s, he travelled cities like Salvador da Bahia and Rio de Janeiro, Santiago de Chile, Dakar, New York and Lisbon, developing his utopia of a radical sensitivity. This sensitivity would serve research alongside intense interviews, intimacy through (gay) sexuality, self-reflexivity, and a condensed poetry of objectivity. Fichte’s experiments with dialogical forms of writing were incorporated in his monumental, unfinished cycle of novels Die Geschichte der Empfindlichkeit (The History of Sensitivity).
The exhibition and research project in cooperation with the Goethe-Institut, Hubert Fichte: Love and Ethnology, opens these works for a critical contemporary discussion. Since 2017, selected novels have been translated into Portuguese, English, French, Spanish and Wolof. For the first time, this stimulated a reception of Fichte’s writings in the places of their creation. Exhibitions curated on-site showed new artistic works. The concluding Berlin exhibition Love and Ethnology – The Colonial Dialectic of Sensitivity (after Hubert Fichte) gathers these inverted gazes and presents them against the backdrop of ethnology and the aesthetic avant-garde of post-war West Germany.
With extensive archival materials and artistic works by Nadja Abt, Heriberto “Eddie” Alicea, Kader Attia, Gilles Aubry, Richard Avedon, Alvin Baltrop, Gabriel Barbi, Letícia Barreto, Coletivo Bonobando, Papisto Boy, Michael Buthe, Miguel Rio Branco, Rosemarie Clausen, Nathalie David, Mestre Didi, Hubert Fichte, Claudia del Fierro, Avril Forest, Alair Gomes, Renée Green, Philipp Gufler, Ayrson Heráclito, Isaac Julien, Euridice Zaituna Kala, Kippenberger und Akim S. aus 44, Friedl Kubelka, Pedro Lemebel, Cristóbal Lehyt, Musa Michelle Mattiuzzi, Leonore Mau, Tiona Nekkia McClodden, Virginia de Medeiros, Michaela Melián, Mario Navarro, Richard Oelze, Pan African Space Station, Lil Picard, André Pierre, Lili Reynaud-Dewar, Daniel Richter, Thierno Seydou Sall, Pierre Verger, James Van der Zee and others.
Curated by Diedrich Diederichsen and Anselm Franke
Conference:
Samstag, 19. Oktober 2019, 19h
Ästhetik des Faktischen: Poesie und Journalismus
10557 Berlin
hkw.de
Ästhetik des Faktischen: Poesie und Journalismus
/Moderiert von Diedrich Diederichsen
Haus der Kulturen der Welt
John-Foster-Dulles-Allee 1010557 Berlin
hkw.de
